Wednesday, April 30, 2025

Announcement: 「Reading Family Albums: Indian Immigrants in Tokyo, 1976 - 2010」 Presentation by Bakirathi Mani @ Sophia University

May 14, 2025 / 18:30-20:00
Room 301, 3F Building 10, Sophia University
In Person only / No registration required

Abstract: How do we enter into, look at, and make sense of family albums? In this talk, I examine archival practices that emerge out of working with a repository of albums that documents my own family's life as Indian immigrants in Japan between 1976 and 2010. These albums and the photographs they contain operate as material and ethnographic objects that decay over time. Writing about these albums demands that I occupy shifting positions: as a subject and critic of these images; as an archivist who preserves the albums; and a daughter inheriting the photographs, who has herself migrated. As the albums travel between Japan, India and the United States, I consider what it means to dwell within these familiar archives, reflecting on methods of reading and writing about images that are among the most intimate representations of selfhood and community that I have encountered.

For more info: https://www.icc-sophia.com/post/reading-family-albums-indian-immigrants-in-tokyo-1976-2010

Sunday, April 20, 2025

LGBTQとは わかりやすく活動家が解説│課題や支援事例も紹介

"An article I wrote myself in 2022, but it was delivered as an updated article incorporating 3 years worth of changes and more! I think it's very easy to understand." - Fuyumi Yamamoto

Link: https://www.asahi.com/sdgs/article/14564464

Friday, April 11, 2025

Announcement: KG+ Photo Exhibition in Kyoto April 12 ~ May 11

“KG+” is a public art festival that first started in 2013 with the aim of discovering and supporting upcoming photographers and curators with 2025 being the 13th anniversary of this festival. We strive to present the state-of-the-art skills of upcoming photographers widely enlisted here in Kyoto to around the globe. In cooperation with “KYOTOGRAPHIE Kyoto International Photography Festival”, we give upcoming photographers and curators participating in KG+ opportunities to talk and collaborate with world-renowned curators and gallerists from Japan and around the world.

“KG+ SELECT” is another exhibition, where 10 artists out of the participants of “KG+” are selected to exhibit their work by judges working at an international degree. KG+SELECT Award 2025 Winner is held between the selected 10 artists, with the winner given the invitation to exhibit their work in the official KYOTOGRAPHIE program next year in 2026.


For more information: https://kgplus.kyotographie.jp/

Monday, April 7, 2025

Announcement: New JAWS Newsletter released (and check out the cover! AGAIN!)

Congratulations and many thanks to the co-editors, Jennifer McGuire and Christopher Tso, on putting together and releasing the Japan Anthropology Workshop Newsletter (#53) "...continuing with our refreshed newsletter design and second cover photo by visual anthropologist and JAWS member Steven C. Fedorowicz..."

Available at:

https://japananthropologyworkshop.org/wp-content/uploads/2025/04/JAWS-Newsletter-2023.pdf

「Push-Pulling the Danjiri」

Residents of Shirogaki-cho in Kadoma-shi, Osaka push and pull a large wooden cart called a danjiri through the district’s streets as a part of the annual Fall Festival (October) and Kadoma-shi 60th Anniversary Culture Festival (November) in 2023. Navigating the danjiri is hard work, because the cart is heavy and awkward to steer through the narrow and winding streets. Shirogaki-cho’s danjiri, parts of which were made in the Edo period, is over 7 meters long, 4 meters high at its tallest point and weighs over 3.2 tons. Even before the COVID-19 pandemic, participation by neighbors in these events has been decreasing over the years because of demographic changes: Japan’s aging society, the falling birthrate, and gentrification as traditional homes are torn down and replaced with apartments making the area into a bed-town of strangers. But a core of diehard and friendly residents take part every year to parade the danjiri with the temporarily installed deity from the local shrine throughout the parish to bestow its blessings to the neighbors, encourage cooperation, and promote continued good community relations. Ihave been photographing, researching, and pushing in the fall festival for over 15 years.

Thursday, April 3, 2025

The Visual Anthropology of Japan: In and Outside the Classroom, Revisited

JAWS / AJJ Joint Conference 2025
Session 14 - Reflecting and Revisiting「Teaching Japan」
University of Hyogo - Kobe Campus for Commerce
Building 5
April 5, 2025, 15:40 - 17:10

Campus access: https://www.u-hyogo.ac.jp/english/access/#id01

Campus map: https://www.u-hyogo.ac.jp/about/access/kobeshoka/

Paper 4: The Visual Anthropology of Japan: In and Outside the Classroom, Revisited
Steven C. Fedorowicz, Professor, Kansai Gaidai University

Abstract: My chapter describes teaching a class comprised of international exchange students from many different countries alongside local students preparing for their study-abroad programs called “Visual Anthropology of Japan” at a Japanese university from 2006 to 2014. Topically, the course was about the presentation and representation of culture through film, photography, and other visual communication arts within the shifting anthropological ecologies of media, methods, and theory. Teaching “Japan” in this context required several balances of instruction and guidance for students of different academic levels, backgrounds, language skills and expectations studying together in the same class. Because of my training and background in cultural anthropology and visual anthropology, I do not consider my text as a theoretical treatise on pedagogy per se. Rather it is closer to an ethnographic—sometimes autoethnographic—account based on the fieldwork of teaching this course under certain conditions at a global educational setting. In my presentation, I will revisit this setting through the reflexive lens of ba (Kajimaru, Coker and Kazuma 2021), specifically, the convergence of players, place and performance during the period of the multimodal turn in visual anthropology that coincided with the class. This reminiscent revisit reaffirms the potential and possibility for a more active student learning environment and further course development to make a new and improved version of the course.

For more details about the conference and panel: https://visualanthropologyofjapan.blogspot.com/2025/02/announcement-jawsajj-joint-conference.html