Wednesday, July 8, 2026

"EveryBody: An Artifact History of Disability in America" // Exhibition @ Smithsonian National Museum of American History


Thanks to Mori Soya Sensei for sharing information about this exhibition from Corbett OToole's FB post:

Disability History is under attack Right Now.
There’s a new White House report stating that only some Americans should be represented at the Smithsonian Museum of American History.
The ONLY comprehensive collection of disability history in the US is at that museum.
If the White House wins, we all lose access to histories of disabled people and all Americans stories and materials. The only materials allowed with be White House approved perspectives (i.e. white privileged)


Links:

EveryBody: An Artifact History of Disability in America: https://americanhistory.si.edu/explore/stories/everybody-artifact-history-disability-america

Quote:

People with disabilities have been present throughout American history, but rarely appear in textbooks or shared public memories. Curator Katherine Ott introduces a new online exhibition that helps us understand the American experience and reveals how complicated history really is.

Over 100 years ago, an African American woman named Sarah Savage did something that caused her to be institutionalized at Central State Hospital, a "lunatic asylum" in Milledgeville, Georgia. She died there in 1882. Little else is known about her—when and where she was born, who she loved and who loved her, how she died, and what got her locked up. We don't even know if marker #72 belongs to her or a white man named Nathaniel Cowart—the cemetery was segregated and burial numbers used twice.

In the 1860s or 1870s, Benjamin Franklin was caught in a freezing storm in the Dakota Territory, lost his hands and feet to frostbite, and afterwards made a living selling cartes-de-visite (small photographs printed on thick paper cards) of himself.

There are thousands upon thousands of such stories about people with disabilities that never make it into the history books. To broaden the familiar narratives of American history and give presence to some of the "disappeared" in American history, we created an online exhibition about disability drawn from the museum's collections. The online exhibition is at the center of the museum's work in unraveling the intricate ways in which stigma, rights, and everyday realities intertwine.

The museum has dozens of photographic images of people with disabilities. We know neither the name nor circumstances of most of them. Being anonymous or forgotten does not mean that you are invisible. We can piece together past experiences by combining what the image tells us (about age, clothing, location, era, activity) with what we know about the history of disability in America. Such things as surfaced roads, escalators and elevators, the internet, as well as the closing of asylums and even the availability of inexpensive eye-glasses and a host of medical treatments have created circumstances that enabled political and social change. Our artifacts can explain events such as protests, hospitalization, first communion, and grad
uation and what they meant in the lives of people. Artifacts give shape and substance to historical experiences in ways that retrieve stories of those who did not have the resources, support, or power to leave a mark.

EveryBody: An Artifact History of Disability in America: https://americanhistory.si.edu/explore/exhibitions/everybody

Quote:

Many stories and events related to people with disabilities never make it into the history books or shared public memories. Familiar concepts and events such as citizenship, work, and wars become more complicated, challenge our assumptions about what counts as history, and transform our connection with each other when viewed from the historical perspective of people with disabilities, America’s largest minority.

Knowing these histories deepens understanding of the American experience and reveals how complicated history really is. In addition, when history comes through artifacts, distinct themes emerge—for example, the significance of place, relationships, and technology—that are less apparent when only books and words are used.

The EveryBody online exhibition is an introduction to the history of disability in America, covering politics, relationships, work, technology, health and more. Just as language about disability has changed (with movement away from stigmatizing terms such as crippled, handicapped, or invalid), so has understanding of it, with civil rights becoming paramount.


Check this out! Lots of good and important things to see!

Friday, June 19, 2026

End-of-the-Semester Summer Surprise!

After, let us say, a challenging semester, I was able to stay away from campus for a couple of relaxing and stress-free weeks. Upon my return (for a faculty report meeting), I found a wonderful surprise waiting for me in front of my office door: a piece of art and some classic literature. One of my most excellent students, Andrew, saw the Foo Fighters sticker on my computer and made his own rendition of their logo for me. In an addendum to his note thanking me for the semester, he wrote that he originally bought the book for himself but couldn't fit it in his luggage. He said that he thought I would enjoy it if I haven't read it before. I am a little sorry to say that I did read the book before, long before Andrew was even born... But I look forward to reading it again.

Thank you, Andrew, for all of your efforts, the great times in the class and your thoughtful present.

Saturday, June 13, 2026

The Re/Construction: January 13 ~ June 13, 2026

This rather large post documents the construction of a new apartment complex (corrected name on the apartment signage:「フォレストグクリエオーレ城垣町 I II」or, Forest Creaole Shirogakicho I and II) in my neighborhood very close to my own house. The overall saga begins with two earlier posts, about the demolition of the previous Showa era house:

「Deconstruction: Demolishing a Showa Era House in the Neighborhood (this post is still under construction...)」: https://visualanthropologyofjapan.blogspot.com/2025/09/deconstruction-demolishing-showa-era.html

and the "pre-construction" of the apartment complex:

「Pre/Re/Construction...」:https://visualanthropologyofjapan.blogspot.com/2026/01/prereconstruction.html

The main construction began on January 13 and was supposed to be finished in May. Construction ran longer than promised, continuing well into June. The crews started out at 8:00 AM and finished around 6:00 PM, Monday through Saturday. They also worked on some Sundays and national holidays. The finished product consists of two 3-story buildings with 12 1LDK apartment units in each building (for a total of 24 new apartments).

WARNING: THE FOLLOWING IS A SOUND-ONLY VIDEO. PLAY AT MAXIMUM VOLUME ON YOUR DEVICE TO GET AN IDEA OF THE REAL TIME EXPERIENCE... This is what woke me up almost everyday for the last 6 months. No snooze button, no shut off button...



This noise pollution has been inconsiderate, disruptive and stressful to say the least, for me, my family and many neighbors (who have sometimes complained to the workers). Sometimes we were notified before hand about work on Sundays and national holidays (the documents are included with the photos below), but many times we were not. Calls to the company headquarters went unanswered on Sundays and national holidays as their office was closed, despite the construction workers themselves having to work.

This documentation is not so scientific as the photos were taken haphazardly in terms of time and number of exposures in each photographic session. I tried to capture the weekly changes on Sundays when I could, but there were some periods of illness and hospitalization that prevented me at times. Most of the photos are structural only, without the construction workers or people walking by the site. Still, this project is ethnographic in that is displays the contrast between Showa era and contemporary architecture, contemporary construction methods (which includes far too few workers - usually 2-4 people - resulting in the slow progress) and the gentrification of the neighborhood (within walking distance of the Kayashima Keihan Train station) that adds to the bed town environment where residents do not know each other or interact as a community. This bed town gentrification unfortunately jives with obervations made in my prior research of the neighborhood fall festival, local Shinto shrine and demographic changes (aging society and low birth rates) that have been ongoing in Japan for nearly 30 years.

What follows are 152 photos, 4 documents, 1 timely social media post and information, diagrams and photos from the rental property company. It is a lot of raw data to digest. Good luck and yoroshiku for going through with it all.

January 13-17
January 18-25
January 27-31
February 1-11 (photos taken on 2/11, National Foundation Day, a national holiday but they were still working and being noisy, even on a rainy day...)
On February 3, we received a notification that construction would block traffic on 2/19, 2/20, 2/21, 3/2, 3/3 and 3/4.
February 12-14
February 15-20
February 21-23
February 24 - March 1
March 2 (Street closed for construction...)
March 3-8
Click on the article for a clear view.

On Facebook, March 16, 2026... I don't know... I haven't seen this kind of curtain in Japan before. And certainly the current construction in my neighborhood does nothing to lower noise pollution or improve the aesthetics of the construction site. As for politeness toward neighbors and functional beauty... NO! These are naive foreign stereotypes and assumptions that are not true. Sources like Japan Daily run rampant with such posts.
March 9-15
March 16-23
March 24 - April 12

We received the following notification that the construction crews would be working on a Sunday (4/26/26) and during part of the Golden Week Holidays (May 4, 5 and 6, 2026).
April 13-18
April 19-26
April 27 - May 3
May 4-10
May 11-17


We received this notice which stated that the street would be closed on 5/13/26.
May 18-24
May 25-31
June 1-8
June 9-13
From the Rental Property Website

The following data and photos are "courtesy of" the Rental Property compnay. Click on the image to get a clear view.

https://rent.sumirin-residential.co.jp/rent/?keyword=%E9%96%80%E7%9C%9F%E5%B8%82

Since today's date is June 13, 6 months after I started photographing the main construction, it seems logical to finally post this monster. I promise to add updates if there are any major changes and/or I have the opportunity to view the apartments myself in an open house. For now, I hope for a little peace and quiet, at least until the 24 new tenants move in...