Orihara Shoten is a liquor shop and a "standing drink bar" usually known as 立ち呑み屋 (tachinomiya). This shop many shelves with various kinds of alcohol and refrigerators filled with cold bottles of 日本酒 (nihonshu) - there is a lot to choose from! They sell bottles and single drinks as well. This kind of shop is known as a 角打ち (kakuuchi); it does not have a license to be a restaurant but can still sell drinks and simple snacks. It is standing room only - there is no seating available.
Orihara Shoten's roots go back to 1924 in Ikebukuro, but the shop in Monzen Nakacho opened in 2011 as a part of its "second foundation." It has the traditional vibes (matching the 下町 [shitamachi] atmoshpere, or old, nostalgic downtown of commoners), with all the modern conveniences (payments accepted in cash, credit cards and various digital wallet services). I like to stop in for a few quick drinks and snacks (usually before I take the shinkansen back home to Osaka) and always manage to have interesting conversations with the staff and customers. The also sell a variety of old-fashioned 駄菓子 (dagashi), inexpensive candies and snacks for children (so I can buy a few last minute omiyage/treats for my daughter).
It is also a great place to take photos (I asked for permission). You can see what I shot on my recent fiedtrip to Tokyo. There are also a few links at the end of the post for information about and access to the shop, and how it was featured in a popular 飯テロ (meshi tero) TV drama.
Orihara Shoten website: https://www.orihara-net.co.jp/oriharashoten/
Orihara Shoten - Monzen Nakacho access ・ 折原商店 - 門前仲町 アクセス (source: https://www.orihara-net.co.jp/oriharashoten/shop/)
Orihara Shoten featured on ワカコ酒 (Wakako Sake), Season 3, Episode 9 (TV Tokyo, 6/2/18): https://www.bs-tvtokyo.co.jp/wakako_zake3/story/index.html?story=s_09
Story about Orihara Shoten featured on ワカコ酒: https://www.tv-tokyo.co.jp/plus/drama/entry/2017/016147.html
Visual Anthropology of Japan - 日本映像人類学
Explorations and experiments in visual representations - multimodality, sensory ethnography, reflexivity, autoethnographic vignettes, ethnographic photography and ba...
Saturday, August 8, 2026
Friday, August 7, 2026
*Setting the record straight (regarding Inō Tadataka @ Tomioka Hachiman Shrine (富岡八幡宮) in Monzen Nakacho)...
OK, so Inō Tadataka「伊能 忠敬」lived from February 11, 1745 to May 17, 1818. And he wasn't really drinking with me at the izakaya (at least not in person). Inō sensei was a famous Japanese surveyor and cartographer. It is not such a stretch to suggest he was an ethnographer of sorts. I met him, or got to know him, by chance. On the last day of my recent research trip to Tokyo I had to check out of the hotel at 11:00 AM. I had an hour to kill before I could go to one last fieldsite, a close-by kakuuchi (see the next post). The Tomioka Hachiman Shrine was located next to my hotel, and I found a nice shady spot nearby to sit and wait. It happened to be near the bronze statue of Inō. It was a cool statue and I thought I might be able to use a picture of it in a class or something. I got up and took some photos. After a while, and much sweating in the hot summer sun, I was able to go to the kakuuchi (and its air conditioner). It was only later when I returned to Osaka that I did a little research to see who this person was and what his conection to the shrine was.
It turns out that after he retired from business at the age of 50, Inō lived close to the shrine in the Edo neighborhood of Fukagawa Kuroecho, which is now known as Monzen Nakacho. He was said to pray to the diety at this shrine before his first mapping trip to Hokkaido in 1800 and other subsequent trips. It became an important ritual for him, and since he was successful in 10 journeys, the shrine came to be associated with travel safety. The bonze statue of him was built in 2001 to commerate his ritual and work.
So if he could, why wouldn't he want to share some drinks and interesting discourse with a contemporary anthropologist?
This is a photo of Tomioka Hachiman Shrine I took in July 2023. Scroll down to Set III in the this link of more photos of Tomioka Hachiman Shrine at that time: https://visualanthropologyofjapan.blogspot.com/2023/07/vaoj-s2023rt-arc-theres-more-to.html
This is the shrine now, undergoing some refurbishment.
Tomioka Hachiman Shrine is conducting a commemorative project leading up to the 400th anniversary of its enshrinement in Reiwa 9 (2027). We ask for everyone's understanding and financial support. For details, please inquire at the shrine office.
Master Inō Tadataka, the pioneer of modern Japanese cartography, moved to Edo (now Tokyo) at the age of 50 after finding success in business. He established a residence near this shrine in Kuroe-cho, Fukagawa (currently Monzen-nakacho 1-chome). Approximately 200 years ago, during the Kansei era (Kansei 12, intercalary April 19th—June 11th, 1800, according to the solar calendar), he visited this shrine early in the morning to pray for safety before departing on his survey journey to Ezochi (Hokkaido). Master Tadataka went on to plan and execute a total of ten survey expeditions. Up until the eighth expedition, which mapped distant regions, he made it a strict rule to always visit Tomioka Hachiman Shrine before departing. Leading his internal disciples and attendants, he would pray for a safe journey, return to his residence to complete final preparations, and then head out toward the starting point of his survey. Consequently, this shrine is a place deeply connected to the mapping achievements of Inō Tadataka. To mark the 200th anniversary of the start of the Inō surveys, the "Inō Walk" mapping and surveying committee, land and house surveyors, the Inō Tadataka Research Society, and other related parties took the lead in raising public donations to erect this statue. October, Heisei 13 (2001).
So you are probably still wondering how Inō Tadataka got to the izakaya (and the Monzen Nakacho Train Station). I was able to use some online tools (pre-A.I. PicWish) to remove the statue from the original background (of the photo I took), and then I pasted it in to photos of the other locations (which I took). OK, so there is the full disclosure...
Sources:
Brock, John. (2019). Japan’s Most Famous Surveyor: Ino Tadataka and His Iconic 1821 Map of Japan! Tokyo: International Cartographic Association (ICA / ICC Meeting Proceedings) Accessed August 4, 2026. https://www.researchgate.net/publication/334378209_Japan's_Most_Famous_Surveyor_Ino_Tadataka_and_His_Iconic_1821_Map_of_Japan
Inō Tadataka Society (伊能忠敬研究会) and Watanabe, Ichirō. (2001). Erecting the Bronze Monument of Inō Tadataka: 200 Years of Mapping Japan. Tokyo: Inō Tadataka Monument Committee / Tomioka Hachiman Shrine Archives. Accessed August 4, 2026. http://www.tomiokahachimangu.or.jp/annai/inoTadataka/inoTadatak.html
It turns out that after he retired from business at the age of 50, Inō lived close to the shrine in the Edo neighborhood of Fukagawa Kuroecho, which is now known as Monzen Nakacho. He was said to pray to the diety at this shrine before his first mapping trip to Hokkaido in 1800 and other subsequent trips. It became an important ritual for him, and since he was successful in 10 journeys, the shrine came to be associated with travel safety. The bonze statue of him was built in 2001 to commerate his ritual and work.
So if he could, why wouldn't he want to share some drinks and interesting discourse with a contemporary anthropologist?
This is a photo of Tomioka Hachiman Shrine I took in July 2023. Scroll down to Set III in the this link of more photos of Tomioka Hachiman Shrine at that time: https://visualanthropologyofjapan.blogspot.com/2023/07/vaoj-s2023rt-arc-theres-more-to.html
This is the shrine now, undergoing some refurbishment.
English translation:
Tomioka Hachiman-gu Shrine
400th Anniversary of Enshrinement Commemorative Project
Donations Now Being Accepted
Tomioka Hachiman Shrine is conducting a commemorative project leading up to the 400th anniversary of its enshrinement in Reiwa 9 (2027). We ask for everyone's understanding and financial support. For details, please inquire at the shrine office.
Tomioka Hachiman Shrine Office
QR codes to give more information about shrine activies.
The Bronze Statue of Inō Tadataka at Tomioka Hachiman Shrine
English translation of information plaque:
Master Inō Tadataka, the pioneer of modern Japanese cartography, moved to Edo (now Tokyo) at the age of 50 after finding success in business. He established a residence near this shrine in Kuroe-cho, Fukagawa (currently Monzen-nakacho 1-chome). Approximately 200 years ago, during the Kansei era (Kansei 12, intercalary April 19th—June 11th, 1800, according to the solar calendar), he visited this shrine early in the morning to pray for safety before departing on his survey journey to Ezochi (Hokkaido). Master Tadataka went on to plan and execute a total of ten survey expeditions. Up until the eighth expedition, which mapped distant regions, he made it a strict rule to always visit Tomioka Hachiman Shrine before departing. Leading his internal disciples and attendants, he would pray for a safe journey, return to his residence to complete final preparations, and then head out toward the starting point of his survey. Consequently, this shrine is a place deeply connected to the mapping achievements of Inō Tadataka. To mark the 200th anniversary of the start of the Inō surveys, the "Inō Walk" mapping and surveying committee, land and house surveyors, the Inō Tadataka Research Society, and other related parties took the lead in raising public donations to erect this statue. October, Heisei 13 (2001).
Erected by the Executive Committee for the Construction
of the Inō Tadataka Bronze Statue
of the Inō Tadataka Bronze Statue
So you are probably still wondering how Inō Tadataka got to the izakaya (and the Monzen Nakacho Train Station). I was able to use some online tools (pre-A.I. PicWish) to remove the statue from the original background (of the photo I took), and then I pasted it in to photos of the other locations (which I took). OK, so there is the full disclosure...
Sources:
Brock, John. (2019). Japan’s Most Famous Surveyor: Ino Tadataka and His Iconic 1821 Map of Japan! Tokyo: International Cartographic Association (ICA / ICC Meeting Proceedings) Accessed August 4, 2026. https://www.researchgate.net/publication/334378209_Japan's_Most_Famous_Surveyor_Ino_Tadataka_and_His_Iconic_1821_Map_of_Japan
Inō Tadataka Society (伊能忠敬研究会) and Watanabe, Ichirō. (2001). Erecting the Bronze Monument of Inō Tadataka: 200 Years of Mapping Japan. Tokyo: Inō Tadataka Monument Committee / Tomioka Hachiman Shrine Archives. Accessed August 4, 2026. http://www.tomiokahachimangu.or.jp/annai/inoTadataka/inoTadatak.html
Thursday, August 6, 2026
Saturday, August 1, 2026
「VAoJ」has returned safely to Osaka after research in Tokyo・「VAoJ」は東京で研究をして、無事大阪に帰りました
Image: Inō Tadataka (1745-1818), the famous Japanese surveyor and cartographer whose bronze statue resides in the Tomioka Hachiman Shrine grounds in present-day Monzen Nakacho, joined the 「VAoJ」team at the nearby izakaya Daruma for a few drinks, fieldwork and photography*.
画像:伊能忠敬(1745-1818) ―― 現在の門前仲町にある富岡八幡宮の境内に銅像が立つ、著名な測量家・地図製作者である彼が、近隣の居酒屋「だるま」で「VAoJ」チームに加わり、酒を酌み交わしながら、現地調査や写真撮影を行いました。
画像:伊能忠敬(1745-1818) ―― 現在の門前仲町にある富岡八幡宮の境内に銅像が立つ、著名な測量家・地図製作者である彼が、近隣の居酒屋「だるま」で「VAoJ」チームに加わり、酒を酌み交わしながら、現地調査や写真撮影を行いました。
Additional photos are scheduled to be released soon.
近いうちに追加の写真が公開される予定です。
*I will explain how Inō sensei was able to come to the izakaya in another post soon...
*伊能先生がどうやってその居酒屋に来ることができたのかについては、近いうちに別の投稿で説明します...
Monday, July 27, 2026
2026 Kayashima Shrine Summer Festival / 令和八年 萱島神社夏祭り / Dedicated to my friend and colleague Inge...
This post started after talking with my friend and colleague, Inge. Since we probably wouldn't see each other for a while during the summer break, she asked me to send her a couple of pictures. So the nearby summer festival at the Kayashima Jinja gave me a chance to do some interesting photography and get a couple of good shots for Inge. I chose the two shots above because they illustrate the fun and crowded atmosphere of the night fair where people go to meet up with friends and buy delicious summer snacks and drinks. My photos feature my favorite festival treat, tamago senbei: a crisp shrimp cracker with a fried egg, savory sauce and mayonnaise. As I was enjoying my tamago senbei, many people around me were enjoying theirs as well. I hope you like these shots, Inge!
Of course, being a visual anthropologist, I wanted to do more in this post and show the context and components of this occasion to add to my several previous posts about the summer festival and other events at or near the shrine. Kayashima Jinja, while small, is famous because its primary deity is a large tree. When the Keihan Kayashima Train Station was constructed, it was built around the tree. The tree/deity is said to be quite powerful and generous, so it attracts a lot of people at new years, the setsubun celebration and summer festival. I have included a list of previous VAoJ reporting with more facts and observations at the end of this post readers and viewers who want more specific information.
The local standing drink bar ・ 地元の立ち呑み ・ jimoto no tachinomi For several years, this drinking establishment always sold corn-on-the-cob roasted in butter and soy sauce. I always looked forward to this treat. But recently the tachinomi was bought by new owners who decided not to sell it this year. Very unfortunate...
The night fair ・ 夜店 ・ yomise An egg on a shrimp cracker with sauce ・ たまごせんべい ・ tamago senbei Yum! おいしい! うまい! The trash ・ ごみ ・ gomi Yes, Japan is such a clean country... And who says there are no trash bins in public? And don't forget to seperate your recyclable trash... Goodnight ・ おやすみ ・ oyasumi It was probably too early when I limped back home struggling to carry my canes, camera and snacks. For many the party was just getting started... But for me, I needed to get home to watch the Hanshin Tigers baseball game.
Day 2: The portable shrine ・ 神輿 ・ mikoshi Back in the day, the parading of the portable shrine or mikoshi, a large one for the adults and a smaller one for the children, to bestow the blessings of the local deity to the residents of the shrine parish, was grand, energetic and exciting. But in the last several years it has become smaller, mellower and easier; it seems more obligatory rather than fulfilling. This is due to demographic trends and shifts in most areas of Japan (i.e. decreases in birth rates and an aging society), a lack of interest and involvement in neighborhood events (much of the neighborhood has been gentrified and turned into a bed-town) and global warming (every year seems to be getting hotter and more humid). The COVID-19 pandemic certainly did not help. In other words, the majority of participants are older people along with fewer young adults and children willing and able to participate in a difficult, laborious and grueling undertaking under the hot summer sun. The adult mikoshi is now carried on a truck rather than the sweating necks and shoulders of strong, young men (and women). Culture changes. Humans need to adapt to a changing environment (ironically caused by the humans thmeselves...). Previous VAOJ posts on the summer festival at the Kayashima Shrine:
Here is a list of VAoJ posts related to Kayashima Shrine. It probably is not a complete list, but hopefully these are good sources to explore to find more information. As this blog/website is organized by chronological date and time, these posts seem to be a mish-mash of discourses influenced by my observations, interests and personal circumstances during various ethnographic moments. In relation to the VAoJ website/project as a whole, it is interesting to see when I moved from theories, methods and work of others to my own (auto)ethnographic endeavors and productions. It is not so surprising that this change occurred around the time I obtained my Nikon D-700 camera. It is also interesting (and nostaligic in a way) to see pauses and breaks of my work due to injuries, hospitalizations, the COVID-19 pandemic and other important happenings. So rather than a mish-mash, VAoJ might better be described as a multimodal exercise, where one can explore the posts and put together various pieces of the puzzle that is the visual anthropology of Japan.
2013 summer festival in 5 parts:
Visual Anthropology of Japan, Local Matsuri I: The Mikoshi, posted July 30, 2013.
Visual Anthropology of Japan, Local Matsuri II: Evening Activities, posted July 31, 2013.
Visual Anthropology of Japan, Local Matsuri III: Tamago Senbei, posted August 1, 2013.
Visual Anthropology of Japan, Local Matsuri IV: People, posted August 2, 2013.
Visual Anthropology of Japan, Local Matsuri V: くわしく, posted August 3, 2013.
2014 summer festival
Visual Anthropology of Japan, Local Matsuri, 2014 Edition, posted August 17, 2014.
2018 tondo matsuri post
https://visualanthropologyofjapan.blogspot.com/2018/01/remains-of-2018-kayashima-shrine-tondo.html Remains of the 2018 Kayashima Shrine Tondo Festival, posted January 15, 2018.
2018 setsubun festival
https://visualanthropologyofjapan.blogspot.com/2018/02/2018-setsubun-shots-kayashima-jinjya.html 2018 Setsubun Shots @ Kayashima Jinja, posted February 24, 2018.
2018 summer festival post
https://visualanthropologyofjapan.blogspot.com/2018/07/kayashima-jinja-summer-festival-mikoshi.html Kayashima Jinja Summer Festival: Mikoshi Procession Viewed from the Cool(er) Convenience of My Window, posted July 31, 2018
2019 setsubun festival post
https://visualanthropologyofjapan.blogspot.com/2019/02/local-setsubun-celebration-at-kayashima.html Local Setsubun Celebration at Kayashima Shrine, Osaka, Japan, Feb. 3, 2019, posted February 3, 2019.
2019 jalan-jalan post on tachinomiya refurbish
https://visualanthropologyofjapan.blogspot.com/2019/06/jalan-jalan-68-neighborhood-tachinomiya.html Jalan Jalan (68): Neighborhood Tachinomiya Under Construction - a noren to protect the entrance and a cover for the whole building during renovation... posted June 19, 2019.
2019 jalan-jalan post on tachinomiya new signage
https://visualanthropologyofjapan.blogspot.com/2019/06/jalan-jalan-69-and-heres-new-signage.html Jalan Jalan (69): And here's the new signage for the neighborhood tachinomiya (I wish I could have been there for the unveiling...), posted June 24, 2019.
2020 new year's post
https://visualanthropologyofjapan.blogspot.com/2020/01/ringing-in-reiwa-2-kayashima-jinja.html Ringing in Reiwa 2 @ Kayashima Jinja, posted January 3, 2020.
2022 summer festival post
https://visualanthropologyofjapan.blogspot.com/2022/07/the-subdued-2022-kayashima-summer.html The subdued 2022 Kayashima summer festival - no children and the mikoshi is carried on a truck... posted July 24, 2022.
2023 new year's post
https://visualanthropologyofjapan.blogspot.com/2023/01/first-visit-to-kayashima-shrine-for-new.html First visit to Kayashima Shrine for the New Year 2023, posted January 3, 2023
2023 summer festival
https://visualanthropologyofjapan.blogspot.com/2023/08/kayashima-summer-festival-july-2023.html Kayashima Summer Festival (July, 2023), posted August 2, 2023
2025 summer festival post
https://visualanthropologyofjapan.blogspot.com/2025/07/kayashima-shrine-summer-matsuri-july-27.html Kayashima Shrine Summer Matsuri (July 27, 2025) / 萱島神社夏祭り(2025年7月27日, posted July 27, 2025.
2026 new year's post
https://visualanthropologyofjapan.blogspot.com/2026/01/kayashima-shrine-after-new-years-rush.html Kayashima Shrine 萱島神社 After the New Year's Rush, posted January 4, 2026.
Subscribe to:
Posts (Atom)





























































