Tuesday, March 3, 2009

Weavingscapes at Akiyoshidai International Art Village

(Image borrowed from AIAV website.)

Documentary filmmaker Amanda J. Hill was kind enough to send me an announcement about an art exhibition in Yamaguchi prefecture beginning this weekend featuring her work and that of Jakrawal Nirthamrong and Akiko Yanagimoto. See the following link for more information. Should be of interest for visual anthropologists...

Link to Weavingscapes at AIAV:
http://www.aiav.jp/programs/2009/090307exhibition_weavingscapes/

Monday, March 2, 2009

Half, Haafu or Double?

(ILLUSTRATION BY EMI YOKOYAMA; Image borrowed from Japan Today, 3/2/09)

This interesting image caught my eye this morning while cruising the internet. It comes from a commentary by Corey Gaskins about the challenges of being of mixed ancestry in Japan. I have had students comment about this issue as well by placing it within the context of globalization. One student referred to herself as "double" rather than half as she found having parents from two different cultures to be empowering and allowed her to have multiple perspectives.

This issue also reminds me of being hard of hearing in Japan. It is a similar situation where you are half in the hearing world and half in the deaf world but not really a member of either. The sign for hard of hearing in JSL is an open hand, palm facing the side, moving from the head to the torso as if cutting the body in - you guessed it - half. As Gaskins talks about organizations for haafus in Japan, there are organizations for hard of hearing people as well.

Japan is certainly an interesting and problematic place to explore the concepts of self identity and group identity. And I think the illustration above works well to bring attention to this important dialogue. Nice visual anthropology...

Link to Gaskins' commentary at Japan Today:
http://www.japantoday.com/category/commentary/view/half-and-haafu


Link to a similar commentary form a former student:
http://nihontekianthropology.blogspot.com/2008/10/6japanese-globalization-international.html

Thursday, February 26, 2009

Japanese Jesus Christ Superstar

(Image borrowed from Japan Today, 2/26/09.)

Here's some visual globalization for you.

Japan Today text: The actor in the role of Jesus Christ performs at the final dress rehearsal of the kabuki version of “Jesus Christ Superstar” in Tokyo. A rickshaw, women in elaborate brocade kimonos, the echo of bamboo flutes, and Jesus of Nazareth, his face painted white with the flaring red lines, all share the stage at Gekidan Shiki, one of Japan’s best-known theater troupes, in its revival of the hit rock opera “Jesus Christ Superstar“—with some very Japanese twists.

Want more information?

Link to "Jesus Christ goes kabuki in Japan 'Superstar' play" at Reuters India:
http://in.reuters.com/article/lifestyleMolt/idINTRE51J0QN20090220


Link to Japanese Jesus Christ Superstar webpage:
http://www.shiki.gr.jp/applause/jesus/


And here's a YouTube clip from a previous production.



Christianity hasn't been so successful in Japan, but what about this production? The story of Jesus becomes glocalized? Comments, visual or otherwise?

Monday, February 23, 2009

"Eat Japanese!"



From Japan Focus: The Asia-Pacific Journal, 6-3-09.

Japan's Ministry of Agriculture has a solution for many of Japan's (and perhaps the world's) ills: Eat Japanese. Taking a hard look at the triple whammy of Japan's 60+ percent food dependence, global warming, and bulging waistline that are the product of abandoning the nation's healthy diet of fish and tofu for beef, and depending ever more heavily on imported food, the Ministry offers a cheery nationalist broth for solving many of the nation's problems in this cartoon feature. Some readers may find the image of the idealized Japanese family and home in this feature remarkably reminiscent of Europeans and North Americans. Certainly Japanese, despite recent progress, have a long way to go to catch up with North American or European waistlines. Is it necessary to pose more probing questions such as the reasons why many of the fish that the Japanese diet depends on are disappearing, and why world food prices spiralled in recent years?

Posted on February 7, 2009. Recommended citation: Ministry of Agriculture, "Eat Japanese!"


We discuss this issue on the very first day of Globalization class as Japan's food dependency is a great example of the tension created by globalization. It is not merely an economic issue, but one based upon peoples' tastes and preferences. Should Japanese people go back to their traditional diet (whale meat anyone?)? Will it really solve all of their problems? Is it reasonable to ask Japanese people not to eat foreign food? Is it even possible to ask Japanese people to do away with McDonalds and Kentucky Fried Chicken?

It is interesting to see how the Ministry of Agriculture presents the situation in anime form. How successful do you think this film is?

Here's another film, from dannychoo.com. Apparently somebody is eating Japanese...

Saturday, February 21, 2009

Dick McVengeance Speaks: Some tips on how to blog

(Image borrowed from Destructoid.com)

Today VAOJ has a real treat for its loyal readers: our very first guest author. I won't introduce him myself as he does so in his article below. Needless to say I have appreciated his support for some time and his comments have made him sort of a legend around these parts. So, without any further ado...

Welcome all, to the Visual Anthropology of Japan. My name is Brad Rice, and I'm a former student of Professor Fedorowicz and the VAOJ class. Sadly, my blog has been lost to the demons of web hosting, so I'm taking up a few minutes of your time with this post on the VAOJ blog to talk about, well, blogging. Currently, I am a blogger for Modern Method, writing about video gamesanime, and figures -- things which many of you have an interest in, I would assume. I've also done work for The Escapist and Gawker Media. 

With any luck, this post will help guide you from the realm of daily livejournal updates to something a bit more professional and marketable. Blogging is one of those things that anybody can do, but it takes a certain amount of talent and ingenuity in order to make it profitable. So, without any further introductions, let's get into this.

Use spell check. Or a copy editor.

Spelling, punctuation, and grammar are things that you need to have a decent grasp on when dealing with the Internet. Sure, when you're IMing your friends, you may use truncated phrases and misspell words, because honestly, does anyone care in an IM conversation? Well, when you're presenting yourself on a professional blog, you need to have your command of the English language at hand. Albeit my posts are written by a Mr. Dick McVengeance, I still make sure to spell everything properly and use the English language to its full extent.

On that note, you really should endeavor to utilize English however you can. There are a myriad of words at your disposal, and sentences can be constructed to divulge multiple ideas and form complex arguments -- don't simply fall back on short, uninspiring sentences.

Form your own voice.

The first thing I look for when hiring writers is whether or not they have a voice. Can I clearly hear someone saying all this? That's one of my critical tests. Thankfully, telling whether or not someone has a voice is easier than defining obscenity. But not by much.

Expertise and writing style are the two biggest things that drive you having a voice. I think this might work best with some examples. My colleague and good friend Aaron Linde is one of my personal favorite writers on the Internet, so let's focus on his articles. One of the best ways that he makes his articles entertaining is his mixes humor and personal experience into the article to deal with the topic at hand. In his Psychonauts article, he draws on experiences that most of the readers have had -- a pushy, disinterested game store clerk who doesn't care about anything beyond mass-marketed titles.

I pick Aaron because for the most part, all of your writing will be based on pulling in your personal experiences, trying to reconcile your lives at home with what you're experiencing while  you're here in Japan and taking photos. You tell your friends stories about what happened over the weekend, and so you just need to put those stories and the way you tell them into words.

Watch your formatting.

It's very easy to just write your ideas in a single paragraph, because, well, you're only talking about a single idea. That's a bad idea. Perhaps if you're writing an article that's all of two or three sentences, you can do that, but it's not recommended. Rather, you should break up your paragraphs based on basic ideas.

A good rule of thumb is to write three to five sentences before switching paragraphs. Sure, you might have a 150-word requirement for each post, or however many Professor Fedorowicz has assigned, but that doesn't mean you can't go beyond those requirements and really explore the ideas stated in your posts. Sure, I'm getting off topic here, but one thing that you really need to make sure to do is not to leave your ideas unexplored. I hate that more than anything when reading your blogs. People just go through and state some facts based around the photos they've taken, and then don't follow through and question the practices, or relate it to an anecdote or whatnot.

Conclusions are nice.

It's a chance to summarize everything you've talked about in the article, and perhaps bring up something new that acts as a capstone on the whole article. So, here's mine.

Writing articles is not something you can get done within 15-20 minutes. It does take some time to generate a post, and you should really try to address whatever issue you're tackling that week -- this is a chance to create a written portfolio that you can shop around to more professional areas like Gawker, AOL Weblogs, or even Modern Method.

Writing is not easy -- it's something you need to work at in order to get better at. You could -- and I know this is a radical suggestion -- write more than what's required in order to get more experience. Also, read more blogs. They don't have to be Japan-related -- it could be The Consumerist, Lifehacker, Joystiq, or anything else that catches your interest. Much like writing fiction, you only get better the more you read.

"The Great Sasuke arrested on suspicion of assaulting man on train"

Visual anthropologists beware...

From Japan Today:

Professional wrestler and former Iwate prefectural assembly member The Great Sasuke has been arrested for allegedly assaulting a man on a train in Tokyo, police said Friday.

Sasuke, 39, whose real name is Masanori Murakawa, allegedly kicked the 36-year-old company employee, grabbed him by the collar and threw him against the door of the train late around 11:50 Thursday night. Witnesses said Sasuke got angry about having his picture taken with a cell phone camera while on a JR Joban Line train, police said.

Both men got off the train at nearby Minamisenju Station, where Sasuke was arrested after a bystander called police. Sasuke, who was wearing a wrestling mask at the time, denied allegations of assault.

Police quoted Murakawa as saying, “I didn’t want to be photographed when I was wearing the mask. I have the portrait right.”


Read the whole story:
http://www.japantoday.com/category/crime/view/wrestler-the-great-sasuke-arrested-on-suspicion-of-assaulting-man-on-train

Friday, February 20, 2009

Makoto Sasaki's FRAGMENT

(Image borrowed from USC East Asian Studies Center.)

Announcement from H-ASIA:

Join us for the U.S. Premiere of Makoto Sasaki's FRAGMENT, a film that explores Buddhist ritual and prayer in contemporary global society.

Sunday, February 22, 2009
2:00-3:30pm Screening of FRAGMENT (Japanese with English subtitles)
3:45-5:00pm Panel Discussion, Q&A
School of Cinematic Arts (SCA) 108, USC
Reception to follow
Please RSVP to eascrsvp@usc.edu with your name and number of guests

The screening will be followed by a Panel Discussion with Makoto Sasaki (filmmaker); Joe Parker (Pitzer College); William Whittington (USC School of Cinematic Arts); & Lori Meeks (USC College).

Film Synopsis:

Moved by the tragedy of 9/11, young entertainer Jicchoku Inoue decides to take a break from his television career so he can make offerings to those who died in New York. He becomes a Buddhist priest and commits himself to the aragyo, a 100-day ascetic practice so severe that is said to have claimed the lives of many who have attempted to complete it. Inoue survives the aragyo, a feat that earns him the right to use special ritual implements believed capable of destroying evil karma and pacifying the dead. He then takes his newly acquired ritual skills and instruments to Ground Zero, where he offers prayers, both for the dead and for world peace. Sasaki's film follows him on this ambitious journey.

About the Filmmaker

Makoto Sasaki was born in Japan in 1975. In 1997, he participated as screenwriter for a music movie called Yaips! produced by Tetsutaro Sakurai and also directed Satsuei Pochomukin, one of the segments in the anthology of films planed by Shinobu Yaguchi. The following year he signed a contract with Sony Music Entertainment as director of the image production team. He now works as a freelance image and video director for music videos and TV productions.

About the Cast

Jicchoku Inoue was born in Japan in 1977. After graduating college,he joined the film industry and appeared in several Japanese movies, dramas and TV shows. He is the senior administrative priest of Chokoji, a Nichiren temple in Tokyo, Japan.

Sponsored by the USC East Asian Studies Center; the Religion, Identity, and Global Governance Project; the Center for Visual Anthropology; the Center for Religion and Civic Culture; the Office of Religious Life; and the School of Religion.


For more information on the film (including a film clip), check out its webpage:
http://www.fragment-movie.com/

Thursday, February 19, 2009

"No. of HIV-infected, AIDS patients in Japan hits record high in 2008"

From today's Japan Today:

The number of people newly infected with the HIV virus and those who contracted AIDS in Japan in 2008 totaled 1,545, marking an all-time high for the sixth straight year, the health ministry said in a report released Wednesday. Of the 1,113 newly HIV-positive people and 432 AIDS patients, 1,442 were male, according to the report compiled by the AIDS Trend Committee of the Ministry of Health, Labor and Welfare.

Read the whole article:
http://www.japantoday.com/category/national/view/no-of-hiv-infected-aids-patients-in-japan-hits-record-high-in-2008


Another timely reminder as its been a while since VAOJ has addressed this serious issue. Of course the number cited in the article is low as most cases of HIV/AIDS go untested or unreported. The article also cites statistics claiming that the majority of new cases of HIV are due to male-male sexual contact. This is absolutely ridiculous and goes against the majority of research on the HIV/AIDS situation in Japan and the rest of the world. It is another example of scapegoating a particular population rather than doing anything constructive about the problem.

Japan is one of the few so-called wealthy, developed countries where HIV/AIDS continues to rise at alarming rates. Protect yourself. Spread the word, not the disease.

Tuesday, February 17, 2009

Google Street View in Japan

(Image borrowed from Telegraph.co.uk)

Today in the Mainichi Daily News Online there is a short piece about Google Street View and the privacy issues it raises in Japan (Thanks, George, for the heads-up).

Link to News Navigator: What's all the fuss about Google Street View?

Here are a couple of other recent articles about the problems of Street View in Japan. See what interesting/embarrassing moments Street Views gathers...

Link to Group demands shutdown of Google Street View Japan at Japan Probe:
http://www.japanprobe.com/?p=7927


Link to Street View throws Japan for a loop at CNET:
http://news.cnet.com/8301-17939_109-10017303-2.html?tag=mncol;title

JAPANESE CINEMA ECLECTICS: FIRES ON THE PLAIN

(Image borrowed from Well Medicated)

Announcement from SSJ Forum:

JAPANESE CINEMA ECLECTICS
A Multipart Series Devoted to Unexplored Tangents of the Japanese Film Produced by The Institute of Contemporary Japanese Studies, Temple University Japan Campus

FIRES ON THE PLAIN (Nobi)
Directed by Kon Ichikawa
Scenario by Natsuto Wada after the novel by Shohei Ooka 1959, 104 min.

Thursday, February 26 @ Super-Deluxe
Open 7pm / Start 8pm
Cost: 1500yen @ door

Map: http://www.super-deluxe.com/map/

Introduction and Q&A by Donald Richie in English
(Film in Japanese with English subtitles)

Curator: Donald Richie

Fires on the Plain (Nobi)

One of the most powerful works from one of Japan's most versatile filmmakers, Kon Ichikawa (1915-2008), Fires on the Plain is also one of the most convincing antiwar films ever made. By making us share the brutalities and horrors of the last days of the Imperial Japanese Army, it forces us to share the miseries that man brings upon himself. Private Tamura, the protagonist, keeps on living to the end, if only (as one critic has phrased it) "to set himself apart from the solders around him who, in their desperation, have begun to regard the mortal remains of their fallen comrades
with hungry eyes."