My friend and colleague Kevin Ming has published his new book, The Art of Getting By: Wisdom and Resilience from China’s Migrant Women (Algora Publishing 2026). Here is a brief description from the publisher:
Sound Bite
A work that is simultaneously ethnographic fieldwork, social theory, and intimate portraiture, The Art of Getting By takes us into a hidden world and nestles in, learning some of the ways people keep themselves intact in tough circumstances.
Introduction
The Art of Getting By: Wisdom and Resilience from China's Migrant Women invites readers into the disappearing alleyways and vibrant communities of southern China's urban villages, offering an intimate look at the lives of poor migrant women navigating worlds of exposure and exploitation. Through what Kevin David Ming calls a "vagrant anthropology," this book chronicles two decades of walking, listening, and storying with women who work in the sexual labor industry, primarily in falang (hair salon brothels), but also beyond, in China, Malaysia, and Thailand.
This unique narrative gathers fragments of life—snatches of song, shared meals, daily gossip, and poignant personal histories—to illuminate the ingenuity, resilience, and complex desires of its subjects. We meet Wangjing, whose dreams of a modern kitchen reflect aspirations for respectability and security for her family. We learn from Qi Qi about the careful art of "fishing" for customers in upscale hotel bars, a delicate dance of observation and performance. Christine's story reveals a love for literature and a quiet determination to write her own future, even amidst challenging circumstances. These women, often dismissed or stereotyped, are shown to be adept at forming connections and finding temporary inhabitance in worlds designed for their estrangement.
Beyond individual portraits, the book uncovers the broader forces shaping these lives: the relentless pace of urban development that obliterates communities, the "cannibalizing capitalist present" that scavenges on networks of care, and the enduring weight of filial obligations. It challenges conventional notions of hope, offering instead a vision of "present hope"—an energetic continuance born from struggle and the indeterminacy of an uncertain future.
For more information: https://www.algora.com/product/the-art-of-getting-by/
Explorations and experiments in visual representations - multimodality, sensory ethnography, reflexivity, autoethnographic vignettes, ethnographic photography and ba...
Showing posts with label China. Show all posts
Showing posts with label China. Show all posts
Saturday, July 25, 2026
Sunday, September 29, 2013
Incredible Interpretations
This weekend I have been attending the Signed and Spoken Language Linguistics Festa at Minpaku (National Museum of Ethnology) in Suita, Osaka, Japan. The conference has included workshops on word order, number systems in sign languages, language description, documentation and sentence structure. On Saturday there was a screening of the Chinese film, "The White Tower," about deaf man and his struggles with marriage. After the film there was a Talk Show to discuss the film and the issues it raises.
One of the most fascinating parts of this conference was the amount of interpretation going on. The photo above illustrates the interpretation during the before-mentioned Talk Show. From left to right on the stage we can see an American Sign Language (ASL) interpreter, the moderator, the two Chinese filmmakers with a Chinese to Japanese interpreter in between them, two panelists (one of them deaf), the Japanese Sign Language (JSL) interpreter (whose image is projected larger above her) and the International Sign (IS) interpreter. Seated in the front row are two more JSL interpreters for the deaf panelist. Furthermore, the event was being filmed and broadcast live on the internet. So there was a row of seats dedicated to video cameras, one camera for each interpreter and speaker. This was a very complex process but handled very smoothly I'd say. This shows the lengths humans want to and can communicate with others despite differing languages.
Minpaku website (in English): http://www.minpaku.ac.jp/english
Website for "Signed and Spoken Language Linguistics Festa" (in Japanese): http://www.minpaku.ac.jp/research/activity/news/corp/20130927-29
For more information about "The White Tower": http://www.chinaculturecenter.org/cultural_learning/eventdetail.php?eventid=356
Sunday, October 3, 2010
"Online Resource: Photographs of NE China/Manchukuo 1934-5"
Announcement from H-ASIA:
The Digital Collections at Lafayette College Libraries has just posted about 300 previously unpublished photographs from Northeast China, 1934-35, to our open-access digital archive. Most are in set in Shenyang or Manzhouli. The description from the website is appended below:
US Vice Consul to Mukden (Shenyang) Gerald Warner created these 298 photographs between March 22, 1934 and August 2, 1935. Noteworthy are images of a parade for the 30th Anniversary of the Russo-Japanese War, complete with floats, Japanese revelers in Russian costumes, and crowds celebrating victory. Pictures from Manzhouli, with its mixture of Russian, Manchu and Chinese architecture, are also prominent. The North Manchuria Railway, the Zhaoling and Fuling Mausoleum complexes, Shisheng Temple, life in Shenyang's old and new quarters, and several other topics--from coal mines to military drills--are also depicted.
Lots of interesting images can be found at this site. Check it out.
Friday, September 3, 2010
WWW Resource: OldChinaPhotography.com - Ninteenth-Century Chinese Photography
Announcement via H-ASIA:
Web site self description: Interest in early photography in China is growing rapidly. The purpose of this site is to encourage that growth by giving access to images of and information about Qing-Dynasty photography. This site is for historical photography only; the cut-off date is 1911 - the end of the Qing Dynasty. The Terry Bennett Collection of original Qing-Dynasty photographs covers the period 1844-1911, and this site will illustrate a selection of images from that collection.
URL: http://www.oldchinaphotography.com/
Web site self description: Interest in early photography in China is growing rapidly. The purpose of this site is to encourage that growth by giving access to images of and information about Qing-Dynasty photography. This site is for historical photography only; the cut-off date is 1911 - the end of the Qing Dynasty. The Terry Bennett Collection of original Qing-Dynasty photographs covers the period 1844-1911, and this site will illustrate a selection of images from that collection.
URL: http://www.oldchinaphotography.com/
Sunday, August 15, 2010
Visualising China Project: request for user feedback
Announcement from H-ASIA:
This message is an invitation to potential users of an online resource under development at the University of Bristol to contribute feedback and help us shape the project. Some information about this project is available via
http://visualisingchina.org/
Some readers of the list might be aware that for a few years now I have been directing a project at Bristol that has been locating pre-1949 photographs of China in British collections, digitizing them, and placing them online at the 'Historical Photographs of China' site
http://chp.ish-lyon.cnrs.fr/
Some of you may have seen the exhibition that we developed from the material, 'Picturing China', some have collaborated with us, and the project has supplied images some of you have used in books or presentations.
Over the last year we have been working with the 'Web Futures' team in Bristol's Institute for Learning and Teaching Technology, on a JISC-funded project -- 'Visualising China' -- to develop new ways to access this and related material. We're now at a stage when we need to secure engaged feedback from potential users of the new tool.
Why are we interested in hearing from you?
Use of the Internet for research is now prolific across all university subject disciplines. However, the differences in how online content is accessed and used by different researchers are nuanced across and within disciplines. Tools for organising, using and sharing online information as part of research - including text, images and video are starting to emerge. Our particular interest in the 'Visualising China' project is in which tools are currently in use for research in modern Chinese history, and what are the gaps that they leave?
What is the online tool that we are developing?
We are developing a web-based resource that allows users to explore more than 6000 digitised images of historical photographs of China taken between 1870 and 1950 that we have have already made available. This is tool for researchers and other users that offers cross-searching with related online collections (to help avoid time-consuming searches across multiple sites). We are offering intuitive ways to filter image, video and textual resources according to time and geography, in other words, ways to help you navigate and pool information from wide-ranging sources. The tool is a research community tool, through which more online content can be easily linked to and thus used through a single point of access (for example images on Picasa, Flickr, Internet Archive, related Google books or online journals). "Deep annotation" is offered â annotating parts of images or videos for example - and explicitly linking such items to others. The resource can be used as a private research space, facilitated via user logins, or as a shared workspace, perhaps to create Learning Pathway resources for students.
How we would like you to help us:
We need help from the potential user community to decide how best we tailor our tool to your needs. If you are interested in providing feedback or simply want to keep up to date with progress, please fill in the form at
http://www.visualisingchina.org/signup.html
Your help would be very much appreciated.
This message is an invitation to potential users of an online resource under development at the University of Bristol to contribute feedback and help us shape the project. Some information about this project is available via
http://visualisingchina.org/
Some readers of the list might be aware that for a few years now I have been directing a project at Bristol that has been locating pre-1949 photographs of China in British collections, digitizing them, and placing them online at the 'Historical Photographs of China' site
http://chp.ish-lyon.cnrs.fr/
Some of you may have seen the exhibition that we developed from the material, 'Picturing China', some have collaborated with us, and the project has supplied images some of you have used in books or presentations.
Over the last year we have been working with the 'Web Futures' team in Bristol's Institute for Learning and Teaching Technology, on a JISC-funded project -- 'Visualising China' -- to develop new ways to access this and related material. We're now at a stage when we need to secure engaged feedback from potential users of the new tool.
Why are we interested in hearing from you?
Use of the Internet for research is now prolific across all university subject disciplines. However, the differences in how online content is accessed and used by different researchers are nuanced across and within disciplines. Tools for organising, using and sharing online information as part of research - including text, images and video are starting to emerge. Our particular interest in the 'Visualising China' project is in which tools are currently in use for research in modern Chinese history, and what are the gaps that they leave?
What is the online tool that we are developing?
We are developing a web-based resource that allows users to explore more than 6000 digitised images of historical photographs of China taken between 1870 and 1950 that we have have already made available. This is tool for researchers and other users that offers cross-searching with related online collections (to help avoid time-consuming searches across multiple sites). We are offering intuitive ways to filter image, video and textual resources according to time and geography, in other words, ways to help you navigate and pool information from wide-ranging sources. The tool is a research community tool, through which more online content can be easily linked to and thus used through a single point of access (for example images on Picasa, Flickr, Internet Archive, related Google books or online journals). "Deep annotation" is offered â annotating parts of images or videos for example - and explicitly linking such items to others. The resource can be used as a private research space, facilitated via user logins, or as a shared workspace, perhaps to create Learning Pathway resources for students.
How we would like you to help us:
We need help from the potential user community to decide how best we tailor our tool to your needs. If you are interested in providing feedback or simply want to keep up to date with progress, please fill in the form at
http://www.visualisingchina.org/signup.html
Your help would be very much appreciated.
Sunday, February 8, 2009
Historical Photos of China and Korea
From 2 recent H-ASIA announcements...
1. Historical Photographs of China
About the project (Project's self description)
A collaboration between scholars at the University of Bristol, University of Lincoln, and the Institut d'Asie Orientale, this project aims to locate, archive, and disseminate photographs from the substantial holdings of images of modern China held mostly in private hands overseas. These are often of even greater historic interest than might ordinarily be the case, as the destruction of materials inside China in war and revolution in the twentieth century, and especially during the 1966-69 Cultural Revolutiohttp://www.blogger.com/img/blank.gifn, means that there is a relative dearth today of accessible photographic records in China itself...
The photographs archived here come from the collections of a Chinese diplomat, foreign businessmen, staff of the administrations in the Chinese treaty ports, missionaries, and officials of the Chinese Maritime Customs Service. They shed light on political events such as the 1925 May Thirtieth incident, on working and social life, on treaty port architecture, commercial history, the history of dress and fashion, and of course the history of photography in China. They were taken by talented amateur photographers, by foreign snap-shotters, professional studio photographers, and others. These images were taken, acquired or bought by those living or visiting China.
Link to Historical Photographs of China:
http://chp.ish-lyon.cnrs.fr/index.php
2. Korean War Historical Images (Not much of a description is offered; thumbnails are set up on a Flickr page - photos have short captions.)
IMCOM-Korea Photo Collections, The Installation Management Command-Korea Region (IMCOM), US Army Korea... Cleared for public release. This image is generally considered in the public domain - Not for commercial use. U.S. Army Korea - Installation Management Command.
Link to Korean War Historical Images:
http://www.flickr.com/photos/imcomkorea/sets/72157607808414225/
1. Historical Photographs of China
About the project (Project's self description)
A collaboration between scholars at the University of Bristol, University of Lincoln, and the Institut d'Asie Orientale, this project aims to locate, archive, and disseminate photographs from the substantial holdings of images of modern China held mostly in private hands overseas. These are often of even greater historic interest than might ordinarily be the case, as the destruction of materials inside China in war and revolution in the twentieth century, and especially during the 1966-69 Cultural Revolutiohttp://www.blogger.com/img/blank.gifn, means that there is a relative dearth today of accessible photographic records in China itself...
The photographs archived here come from the collections of a Chinese diplomat, foreign businessmen, staff of the administrations in the Chinese treaty ports, missionaries, and officials of the Chinese Maritime Customs Service. They shed light on political events such as the 1925 May Thirtieth incident, on working and social life, on treaty port architecture, commercial history, the history of dress and fashion, and of course the history of photography in China. They were taken by talented amateur photographers, by foreign snap-shotters, professional studio photographers, and others. These images were taken, acquired or bought by those living or visiting China.
Link to Historical Photographs of China:
http://chp.ish-lyon.cnrs.fr/index.php
2. Korean War Historical Images (Not much of a description is offered; thumbnails are set up on a Flickr page - photos have short captions.)
IMCOM-Korea Photo Collections, The Installation Management Command-Korea Region (IMCOM), US Army Korea... Cleared for public release. This image is generally considered in the public domain - Not for commercial use. U.S. Army Korea - Installation Management Command.
Link to Korean War Historical Images:
http://www.flickr.com/photos/imcomkorea/sets/72157607808414225/
Wednesday, November 12, 2008
Chinese and Taiwanese Photo Collections
Here's an announcement about collections of photographs from China and Taiwan from H-ASIA.
1. Thomas H. Hahn Docu-Images
From the web site: The galleries on display here belong to the category of documentary photography. The main subject area is China and that country's rather rapid transformation from a rural to an urban-centered society. Taken together, these galleries constitute a visual archive that for the most part is meant to capture and to preserve information (or "evidence of certain developments" perhaps). Only sometimes are these photographs speculative or interpretive. And although I do not claim to aspire towards the highest degree of objectivity (or "truth") embodied in the image as such, I do claim a certain amount of authority over and understanding of the subjects treated in this visual fashion.
http://hahn.zenfolio.com/
2. Gerald Warner Taiwan Image Collection
From the web site: The Gerald Warner Taiwan Image Collection is a photographic record of a US consul's impressions of urban and rural life in Taiwan under Japanese colonial rule. Totaling 340 photographs and postcards gathered by Warner between August 26, 1937 and March 8, 1941, these images provide a snapshot of Taiwan's hybrid culture of Chinese, Taiwanese, Austronesian, and Japanese influences. The subjects represented are wide-ranging, including clothing, arboriculture, urban structures, agriculture, religious rituals, topography, highways, parks, and more. These digitized images have been researched and annotated to serve as a web-based encyclopedia of colonial Taiwan's material culture.
http://warner.lafayette.edu/
3. The Michael Lewis Taiwan Image Collection
Colonial Pictorial Works Taiwan Image Collection, Special Collections & College Archives, Lafayette College Libraries, Lafayette College, Easton, PA, USA
A collection of 59 sepia photographs from Taiwan from the period 1933-1938. They are digitized images from a book with the following metadata - Title. English: Taiwan, Title. Japanese: Taiwan no fuko, Format. Medium: Printed pictorial book, Creator. Maker: Yamazaki, Kinichiro, editor, Creator. Company: Publisher unknown, Wakayama Prefecture, Date. Original: circa 1939.
http://imago.lafayette.edu/cdm4/browse.php?CISOROOT=%2Flewis
4. Bucklin China Archive
From the web site: In 1923, Harold Bucklin took his family on a remarkable journey from Providence, Rhode Island to Shanghai, China, where he produced an exquisite body of work of large format photographs of Pre-Revolutionary China using a Graflex camera. This website is dedicated to Harold and Hazel Bucklin and their remarkable journey. On the pages that follow, you will have an opportunity to retrace their footsteps and view this unique archive of photographs from another time.
http://www.bucklinchinaarchive.com/index.php
There are also some photos of the 1923 Yokohama earthquake included in this collection.
1. Thomas H. Hahn Docu-Images
From the web site: The galleries on display here belong to the category of documentary photography. The main subject area is China and that country's rather rapid transformation from a rural to an urban-centered society. Taken together, these galleries constitute a visual archive that for the most part is meant to capture and to preserve information (or "evidence of certain developments" perhaps). Only sometimes are these photographs speculative or interpretive. And although I do not claim to aspire towards the highest degree of objectivity (or "truth") embodied in the image as such, I do claim a certain amount of authority over and understanding of the subjects treated in this visual fashion.
http://hahn.zenfolio.com/
2. Gerald Warner Taiwan Image Collection
From the web site: The Gerald Warner Taiwan Image Collection is a photographic record of a US consul's impressions of urban and rural life in Taiwan under Japanese colonial rule. Totaling 340 photographs and postcards gathered by Warner between August 26, 1937 and March 8, 1941, these images provide a snapshot of Taiwan's hybrid culture of Chinese, Taiwanese, Austronesian, and Japanese influences. The subjects represented are wide-ranging, including clothing, arboriculture, urban structures, agriculture, religious rituals, topography, highways, parks, and more. These digitized images have been researched and annotated to serve as a web-based encyclopedia of colonial Taiwan's material culture.
http://warner.lafayette.edu/
3. The Michael Lewis Taiwan Image Collection
Colonial Pictorial Works Taiwan Image Collection, Special Collections & College Archives, Lafayette College Libraries, Lafayette College, Easton, PA, USA
A collection of 59 sepia photographs from Taiwan from the period 1933-1938. They are digitized images from a book with the following metadata - Title. English: Taiwan, Title. Japanese: Taiwan no fuko, Format. Medium: Printed pictorial book, Creator. Maker: Yamazaki, Kinichiro, editor, Creator. Company: Publisher unknown, Wakayama Prefecture, Date. Original: circa 1939.
http://imago.lafayette.edu/cdm4/browse.php?CISOROOT=%2Flewis
4. Bucklin China Archive
From the web site: In 1923, Harold Bucklin took his family on a remarkable journey from Providence, Rhode Island to Shanghai, China, where he produced an exquisite body of work of large format photographs of Pre-Revolutionary China using a Graflex camera. This website is dedicated to Harold and Hazel Bucklin and their remarkable journey. On the pages that follow, you will have an opportunity to retrace their footsteps and view this unique archive of photographs from another time.
http://www.bucklinchinaarchive.com/index.php
There are also some photos of the 1923 Yokohama earthquake included in this collection.
Thursday, October 9, 2008
"Election '08 and the Challenge of China"
An announcement from H-Asia... This isn't necessarily Japan-related but the following documentary might be of interest to visual anthropologists and/or political junkies...
"Election '08 and the Challenge of China"
The U.S.-China relationship is complex and evolving and many argue it's the 21st century's most important bilateral tie. Policy toward China came up in the U.S. http://www.blogger.com/img/gl.link.gifpresidential primaries, but has been largely absent from recent candidate speeches, the first McCain-Obama debate or last week's Biden-Palin debate. On the eve of the second McCain-Obama debate, the USC U.S.-China Institute is releasing a forty-minute documentary examining key issues and the stances taken by the candidates and the historical role of China in U.S. campaign politics.
"Election '08 and the Challenge of China" is reported by former CNN Beijing bureau chief Mike Chinoy (now a member of the USC faculty and a fellow at the Pacific Council). The documentary features historical and contemporary news footage, interviews with former officials and scholars, as well as candidate speeches and interviews with the candidates' key China advisors.
The documentary has eight segments and has been produced for a general audience, though we hope educators will find it a useful tool to launch classroom discussions. The segments are:
Part 1: The Big Picture
Part 2: Tensions over Trade
Part 3: Human Rights
Part 4: Taiwan and China' Military Buildup
Part 5: China's Growing International Clout
Part 6: China in U.S. Campaign Politics
Part 7: McCain and China
Part 8: Obama and China
The documentary is available at the USC U.S.-China Institute (USCI) website:
http://china.usc.edu
"Election '08 and the Challenge of China"
The U.S.-China relationship is complex and evolving and many argue it's the 21st century's most important bilateral tie. Policy toward China came up in the U.S. http://www.blogger.com/img/gl.link.gifpresidential primaries, but has been largely absent from recent candidate speeches, the first McCain-Obama debate or last week's Biden-Palin debate. On the eve of the second McCain-Obama debate, the USC U.S.-China Institute is releasing a forty-minute documentary examining key issues and the stances taken by the candidates and the historical role of China in U.S. campaign politics.
"Election '08 and the Challenge of China" is reported by former CNN Beijing bureau chief Mike Chinoy (now a member of the USC faculty and a fellow at the Pacific Council). The documentary features historical and contemporary news footage, interviews with former officials and scholars, as well as candidate speeches and interviews with the candidates' key China advisors.
The documentary has eight segments and has been produced for a general audience, though we hope educators will find it a useful tool to launch classroom discussions. The segments are:
Part 1: The Big Picture
Part 2: Tensions over Trade
Part 3: Human Rights
Part 4: Taiwan and China' Military Buildup
Part 5: China's Growing International Clout
Part 6: China in U.S. Campaign Politics
Part 7: McCain and China
Part 8: Obama and China
The documentary is available at the USC U.S.-China Institute (USCI) website:
http://china.usc.edu
Friday, February 29, 2008
Summer Program in Chinese Film History and Criticism
This program takes place at the Beijing Film Academy, June 30 - July 27, 2008. For more information, see their website.
Summer Program in Chinese Film History and Criticism
http://faculty.washington.edu/yomi/bfa/index.html
Summer Program in Chinese Film History and Criticism
http://faculty.washington.edu/yomi/bfa/index.html
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