Announcement from H-ASIA:
One Day Meeting, Leicester, Saturday March 2nd 2013
Museums and Galleries History Group/Photographic History Research Centre,
De Montfort University
The status of photographs in the history of museum collections is a
complex one. From the inception of the medium its double capacity as an
aesthetic form and as a recording medium created tensions about its
place in the hierarchy of museum objects. While museums had been
amassing photographs since about 1850, it was, for instance, only in the
1970s that the first senior curators of photographs were appointed in
UK museums. On the one hand major collections of ‘art’ photography have
grown in status and visibility, while photographs not designated ‘art’
are often invisible in museums. On the other hand almost every museum
has photographs as part of its ecosystem, gathered as information,
corroboration or documentation, shaping the understanding of other
classes of objects. Many of these collections remain uncatalogued and
their significance unrecognised. However recent years have seen an
increasing interest in the histories of these humble objects, both their
role in collections histories and their histories in their own right.
This one-day meeting, a collaboration between MGHG and the
Photographic History Research Centre at De Montfort University,
Leicester, will explore the substantive and historiographical questions
around museum collections of photographs. How do categories of the
aesthetic and evidential shape the history of collecting photographs?
What are the implications of shifts in these categories? What has been
the work of photographs in museums? What does an understanding of
photograph collections add to our understanding of collections history
more broadly? What are the methodological demands of research on
photograph collections?
For more information: http://www.dmu.ac.uk/research/research-faculties-and-institutes/art-design-humanities/phrc/news/2012/between-art-and-information-collecting-photographs-call-for-papers.aspx
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