Thursday, February 27, 2025

Announcement: JAWS/AJJ Joint Conference 2025 @ University of Hyogo

The Japan Anthropology Workshop (JAWS) and the Anthropology of Japan in Japan (AJJ) joint conference will be held in Kobe from April 4th (Friday) to April 6th (Sunday), 2025. The conference will take place in person, focusing on the theme: Ritual Practices and Daily Rituals in Japanese Society.

Venue: University of Hyogo, Kobe Campus for Commerce, Kobe, Japan


Ritual Practices and Daily Rituals in Japanese Society

The 21st century began as one of the most prosperous periods in human history, only to be profoundly affected by a pandemic and multiple wars, which have had a deep impact on society as a whole. As anthropologists, our role is to document, interpret, and possibly offer solutions for a better future. A significant part of understanding human behavior is the analysis of ritual and ritual practices.

In this edition of the JAWS/AJJ Conference, we aim to explore the role of ritual practices in Japanese society from various perspectives. Rituals can be sacred or social, serving as a form of cultural communication that transmits the cognitive categories and dispositions that shape people’s perceptions of reality (Bell 2009). By analyzing the underlying mechanisms of rituals, we can gain a deeper understanding of human society, as well as the universal and culturally specific aspects that define our communities.

As Joy Hendry suggests, “In many anthropological studies, ritual and religion are closely related, although in complex societies, there is often no particular connection between them, and the term ‘ritual’ may also refer to behavior, like etiquette, that is determined by society and where individuals have little choice in its execution.”

Rituals have always been a key focus for anthropologists, both globally and in Japan. While rituals are not difficult to identify, they are open to numerous interpretations and approaches, drawing interest from social psychologists, folklorists, scholars of religion, communication, the performing arts, and more. We do not seek to impose a specific definition of ritual, as this could be contentious. Instead, we encourage participants to focus on the concept of change. How would you define ‘ritual’ in your research? How has it evolved? This is the central debate we wish to foster, with the goal of deepening our understanding of modern Japan and inspiring broader discussions within world anthropology.


Schedule:
Of special note to visual anthropologist is Session 14 on Saturday, April 5, 15:40-17:10.

Panel: Reflecting and Revisiting「Teaching Japan」
Chair and Organizer: Steven C. Fedorowicz, Associate Professor, Kansai Gaidai University
Discussants: Ioannis Gaitanidis (Associate Professor, Chiba University) and Greg Poole (Professor, Doshisha University)

Panel Abstract:

Teaching Japan: A Handbook (Gaitanidis and Poole 2024) was launched and introduced at the Anthropology of Japan in Japan 2023 Annual Meeting. In their opening chapter, co-editors Gaitanidis and Poole discussed the logic behind the book, “…despite the rich history of critical discussion around ‘researching Japan,’ there is not yet a comprehensive guide for taking these scholarly debates into the undergraduate, and (often) non-Japanese Studies, classroom. This then was the impetus for this forthcoming interdisciplinary collection of pedagogical case studies…” The book launch was a year and a half ago, and the book chapters were written long before that. This panel strives to continue the discussion that Teaching Japan began through a revisit of our chapters, to rethink, reflect, self-criticize and/or build upon our original ideas. In his presentation, McMorran asks critical questions about ethnographies in/about Japan to further explore the validity and value of collaborative ethnographic research beyond the borders of Japan. Fassbender rethinks teaching methods and approaches to counteract the influence of social media that limits students in their understanding of complicated and multifaceted issues surrounding gender and reproductive politics. McGuire reassesses teaching methods and approaches to explore the complexities of social inequality through intersectionality and reflects on the inclusion of literature that looks beyond Japanese society. Fedorowicz revisits the potential for a more active student learning environment and further course development amidst the current multimodal turn in and outside the classroom to make a new version of his course. Discussion and feedback are especially encouraged.

Paper 1: Japan All Around: Teaching about Japanese Society in Singapore
Chris McMorran, Associate Professor, National University of Singapore

In my chapter in Teaching Japan: A Handbook, I discussed disciplinary shifts in anthropology toward studies that are multi-sited and unbounded by national borders. Despite admitting the importance of such geographically promiscuous research, however, I shared my rather conservative approach to teaching about Japan through ethnography, specifically ethnographies based in Japan. I concluded my chapter by asking about the risks and potential rewards of using ethnography to move beyond a Japan-centered understanding of Japanese society. In this presentation, I introduce an ongoing pedagogical effort to answer this question. I outline a course I teach in Singapore that includes students in qualitative research among Japanese citizens residing in the small city-state. Despite its dry title, “Japanese Political Economy” approaches the subject from a distinctly human angle, by focusing on the ways Japan’s political economy has impacted the work lives and family lives of Japanese citizens residing in Singapore. In my presentation, I share the course aims, the research assignment, and the insights gained from several years of teaching the course. What have students learned about Japan and Japanese society by examining the work lives and family lives of those who reside outside its borders? Finally, despite their physical distance from Japan, how can students be inspired by anthropology to see, and investigate, Japan all around them?

Paper 2: How to Unlearn Reproductive Politics in the Classroom
Isabel Fassbender, Assistant Professor, Kansai Gaidai University

Building on my chapter, Teaching Gender and the Politics of Reproduction in Japan: Self-Government as a Theoretical Reference Point, recent experiences and observations in a course offered to mostly one-semester foreign exchange students inform this presentation about challenges and opportunities in teaching reproductive politics in university. It discusses classroom strategies to create a space to learn about reproductive politics in Japan and at the same time consider biomedical ethical questions detached from social ideologies or political partisanship for students that come from a background where these issues are often highly politicized. Contents of the course focus on historical circumstances and contemporary debates surrounding population control and reproduction in Japan (including pregnancy, birth, reproductive technologies, and contraception). However, as a matter of course, ideological and political frameworks that shape current debates in Western contexts often circumscribe the scope within which students access legal and ethical questions surrounding these issues. Not rarely in today’s media landscape, opinions are significantly conditioned through social media channels, which can be simplified and/or biased. It is thus crucial to provide students with opportunities to unlearn or question their preconceptions along with factual knowledge. Teaching methods that emphasize particular historical, socio-political, and cultural circumstances in Japan, as well as presenting diverse viewpoints and theories beyond neoliberal and capitalist approaches that automatically equate developments in science and technology with moral and ethical progress, have proven to be effective in broadening the scope of possible class debates in the context of reproductive politics.

Paper 3: How (un)equal is Japanese Society: Thinking with Intersectionality in the Classroom
Jennifer M. McGuire, Associate Professor, Doshisha University

Understanding inequality in Japan requires moving beyond single-axis frameworks. To fully grasp the causes and consequences of social inequalities, we need tools that delve into the complexity of oppression and power. In this presentation, I discuss how I use intersectionality as a provisional concept and analytical tool in an advanced level course in an English-taught program at a Japanese university. I argue that despite significant obstacles to its use in a university course, including a relative lack of English-language sources about Japan, it is crucial to view and interpret Japanese society through an intersectional lens to challenge assumptions and develop a more nuanced understanding of social inequalities. I analyze data collected in the classroom, particularly class discussions and students’ written responses, focusing on how gender intersects with class and disability to produce inequalities and discrimination. Additionally, I examine the need for heightened sensitivity and awareness when teaching in a multidisciplinary, multilingual setting where students’ positionalities and subjectivities can result in particularly complex relationships to Japan. While I argue that intersectionality helps us move beyond stereotypical and superficial understandings of marginalized social groups, I also reflect on the significant challenges of applying a framework that originated in Black feminism in the United States to a society with a vastly different sociopolitical and historical context.

Paper 4: The Visual Anthropology of Japan: In and Outside the Classroom, Revisited
Steven C. Fedorowicz, Associate Professor, Kansai Gaidai University

My chapter describes teaching a class comprised of international exchange students from many different countries alongside local students preparing for their study-abroad programs called “Visual Anthropology of Japan” at a Japanese university from 2006 to 2014. Topically, the course was about the presentation and representation of culture through film, photography, and other visual communication arts within the shifting anthropological ecologies of media, methods, and theory. Teaching “Japan” in this context required several balances of instruction and guidance for students of different academic levels, backgrounds, language skills and expectations studying together in the same class. Because of my training and background in cultural anthropology and visual anthropology, I do not consider my text as a theoretical treatise on pedagogy per se. Rather it is closer to an ethnographic—sometimes autoethnographic—account based on the fieldwork of teaching this course under certain conditions at a global educational setting. In my presentation, I will revisit this setting through the reflexive lens of ba (Kajimaru, Coker and Kazuma 2021), specifically, the convergence of players, place and performance during the period of the multimodal turn in visual anthropology that coincided with the class. This reminiscent revisit reaffirms the potential and possibility for a more active student learning environment and further course development to make a new and improved version of the course.

Friday, January 17, 2025

「とんど祭り @ 産土神社 2025」Tondo Matsuri @ Ubusuna Shrine 2025

On January 15, 2025, from 8:00 - 10:00 AM, we (the shrine elders and the recruited volutnteer/visual anthropologist) held the Tondo Matsuri at our local shrine, Ubusuna Jinja, in Shirogaki-cho, Kadoma-shi, Osaka-fu. This low key community based event is a chance for neighbors to bring their religious amulets from the previous year and new year's decorations to the shrine to be burned. Like Shinto itself, one might argue that this festival is more tradtional/cultural than religious in nature. I documented this same event at the shrine in 2013. Aside from a few changes, (fewer participants, older participants, no tobacco smokers or beer), this year's event was the same as it was in 2013 (as a good ritual should be...). Check out the 2013 post for more specifics about the Tondo Matsuri.

Tondo Festival - とんど祭り (1/15/13): https://visualanthropologyofjapan.blogspot.com/2013/01/tondo-festival.html

See also:
Remains of the 2018 Kayashima Shrine Tondo Festival (1/15/18): https://visualanthropologyofjapan.blogspot.com/2018/01/remains-of-2018-kayashima-shrine-tondo.html

Let's get back to Ubusuna Jinja in 2025...

Sunday, January 12, 2025

MASATO USHIMARU / RESEARCH-BASED PHOTOGRAPHY Photobook and Ethnographic Film: "OUR CO-BLIND"

PHOTOBOOK, OUR CO-BLIND - A Visual Ethnography of the Visually Impaired Community in the Northern Philippines

"OUR CO-BLIND -A Visual Ethnography of the Visually Impaired Community in the Northern Philippines" is a visual anthropological research project exploring the care practices and social movements among visually impaired communities in the northern Philippines. Grounded in years of fieldwork, photography, and filmmaking, the project combines sensory interventions with an ethnographic approach to uncover the community’s inner logic and forms of intimacy. Through dialogue and immersion in their sensory worlds via photography, the researcher collaborates with visually impaired interlocutors to philosophically examine what it truly means to “see better” beyond vision.

B5 size / 112 pages / Photography, Text and Design by Masato Ushimaru / Printed in Japan by inuunic / Published in Jan 2025

Website: https://studioboukei.square.site/product/photobook-our-co-blind-a-visual-ethnography-of-the-visually-impaired-community-in-the-northern-philippines/7

ETHNOGRAPHIC FILM "OUR CO-BLIND"

Summary (translated from webiste): Produced as the result of a research project for the Master's in Visual Anthropology at Aarhus University, Denmark, this work focuses on the autonomous community and social movement formed by visually impaired people living in the highland city of Baguio City and its surrounding areas in the province of Benguet in the northern Philippines. Starting with ethnography on care practices within the community of visually impaired people, the film depicts spontaneous and generative care relationships that are tailored to the situation, going beyond the binary role recognition of "caregiver" and "care recipient." Furthermore, it captures how the "bigger voices" that people with disabilities acquire by gathering together and sharing their lives are heard by the society of the northern Philippines and lead to social movements. There, the reality emerges that "care," which is often spoken of with an emotional and human impression, is an extremely logical and strategic act.

Title “Our Co-Blind - An Ethnography of Care among Visually Impaired Communities in Baguio”
Year of Production 2023
Country of Production Denmark
Duration 38min
Interlocutors Alfredo Esquillo, Shirley Esquillo, Domingo Regados, Junifer Ap-Ap, Jennifer Maysa (br /> Director / Editor Masato Ushimaru (Aarhus University, MSc in Visual Anthropology)
Translator Darleen Vee Bialno


Website: https://masatoushimaru.com/our-co-blind

Tuesday, January 7, 2025

New Year's Eve 2024 / Early New Year's Day 2025「2024年大晦日から2025年元旦」

明けましておめでとうございます。今年もよろしくお願いします。

Happy New Year! VAoJ hopes for a wonderful, peaceful and meaningful 2025 for all!

Please forgive the lateness of our New Year's greetings. These photos span the time between New Year's Eve 2024 and the wee morning hours of New Year's Day 2025 at our local shrine, Ubusuna Jinjya (産土神社).


A few months ago, the shrine elders asked me to assist them with the preparations and activities during the new year holidays. They knew me because of my participation in the fall festival for the last several years, and because I was always taking photos at the shrine. They asked me, in part, because they are a small group of senior men who were looking for some young(er) blood to help out. I was extremely honored and promised to do whatever I could.

Preparations began on December 29. And we gathered again at the shrine at 10:30 PM on the 31st for the final provisions and to welcome worshipers and visitors who would be coming at midnight to offer their new year's prayers. Although I have gone to the shrine at midnight almost every year's eve for the last 20 years, I had no idea of the details and all the work involved to prepare the shrine. Despite their ages and various health problems, I found these older men to be strong, agile and most capable. I sort of felt like I was a kid again, assisting my father but not really knowing how to do anything.

At midnight, many people from the neighborhood started to arrive. Our shrine is a small one (now, anyway, in the past it was one of the largest and major shrines in the Kawachi region), but I estimate between 250 - 300 visitors came before we packed up and went home at 2:30 AM. My main duty was to assist in the preparation and serving of the omiki, or sacred sake.

While I was there to work for the shrine, I was able to take a few photos. I am grateful to the shrine elders for all of the work they have done for years for the benefit of our community. And I was grateful that I could assist, and do a little visual anthropology in between duties. In the following days I will post photos of the preparations for the event and the post-work we did on the morning on January 1.