Official movie site: https://gekieiga-kodokunogurume.jp/
Movie trailer: https://www.youtube.com/watch?v=Ib5YNyaXpPc
Wakako Zake Season 8: https://www.bs-tvtokyo.co.jp/wakako_zake/
Additional info: https://natalie.mu/comic/news/603691
Friday, December 20, 2024
2025 will bring (back) to us some of our favorite meshi tero, The Solitary Gourmet & Wakako Zake『劇映画 孤独のグルメ』&「ワカコ酒」シーズン8
Official movie site: https://gekieiga-kodokunogurume.jp/
Movie trailer: https://www.youtube.com/watch?v=Ib5YNyaXpPc
Wakako Zake Season 8: https://www.bs-tvtokyo.co.jp/wakako_zake/
Additional info: https://natalie.mu/comic/news/603691
Thursday, December 19, 2024
Wednesday, December 18, 2024
Tuesday, December 17, 2024
Monster Post on Recent Drinking Related Subjects in Japan
At the end of the semester, a couple of student presentations in one of my classes dealt with drinking in Japan. To be honest, both seemed sterotypical and rather dated. By coincidence (?) several news articles were published around the same time to confirm my fears (about the presentations) and offer new, contemporary perspectives. As a wise man once said, "The Times They Are A-Changin'..."
Monster Post on Recent Drinking Related Subjects in Japan
Contents:
I. Japan sake-brewing joins UNESCO intangible heritage list (12/5/24)
II. Why would a Japanese bartender open a nonalcoholic bar?(12/6/24)
III. Hundreds of izakaya going bust as prices rise and customers change (12/9/24)
IV. What do nondrinkers really feel about year-end parties? (12/16/24)
V. Once taboo, more Japanese women are brewing sake (12/17/24)
VI. Not paying any dating expenses at all' listed as domestic violence by Japanese gov't agency (12/17/24)
I. Japan sake-brewing joins UNESCO intangible heritage list (12/5/24)
Sake is perhaps more Japanese than the world-famous sushi. It's brewed in centuries-old mountaintop warehouses, savored in the country’s pub-like izakayas, poured during weddings and served slightly chilled for special toasts.
The smooth rice wine that plays a crucial role in Japan's culinary traditions was enshrined on Wednesday by UNESCO on its list of the “intangible cultural heritage of humanity."
At a meeting in Luque, Paraguay, members of UNESCO’s committee for safeguarding humanity's cultural heritage voted to recognize 45 cultural practices and products around the world, including Brazilian white cheese, Caribbean cassava bread and Palestinian olive oil soap.
Unlike UNESCO’s World Heritage List, which includes sites considered important to humanity like the Pyramids of Giza in Egypt, the Intangible Cultural Heritage designation names products and practices of different cultures that are deserving of recognition.
A Japanese delegation welcomed the announcement in Luque.
“Sake is considered a divine gift and is essential for social and cultural events in Japan,” Takehiro Kano, the Japanese ambassador to UNESCO, told The Associated Press.
The basic ingredients of sake are few: rice, water, yeast and koji, a rice mold, which breaks down the starches into fermentable sugars like malting does in beer production. The whole two-monthlong process of steaming, stirring, fermenting and pressing can be grueling.
The rice — which wields tremendous marketing power as part of Japan's broader cultural identity — is key to the alcoholic brew.
For a product to be categorized Japanese sake, the rice must be Japanese.
The UNESCO recognition, the delegation said, captured more than the craft knowledge of making high-quality sake. It also honored a tradition dating back some 1,000 years — sake makes a cameo in Japan’s famous 11th century novel, “The Tale of Genji,” as the drink of choice in the refined Heian court.
Now, officials hope to restore sake's image as Japan's premier alcoholic drink even as the younger drinkers in the country switch to imported wine or domestic beer and whiskey.
“It means a lot to Japan and to the Japanese,” Kano said of the UNESCO designation. "This will help to renew interest in traditional sake elaboration.”
Also, Japanese breweries have expressed hope that the listing could give a little lift to the country's export economy as the popularity of sake booms around the world and in the United States amid heightened interest in Japanese cuisine.
Sake exports, mostly to the U.S. and China, now rake in over $265 million a year, according to the Japan Sake and Shochu Makers Association, a trade group.
Japan's delegation appeared ready to celebrate on Wednesday — in classic Japanese style.
After the announcement, Kano raised a cypress box full of sake to toast the alcoholic brew and cultural rite.
Source: https://japantoday.com/category/national/japan-sake-brewing-added-to-unesco-intangible-heritage
II. Why would a Japanese bartender open a nonalcoholic bar?(12/6/24)
Decades of recession, less work-related drinking and greater health consciousness have shrunk Japan’s alcohol consumption. Leading global drinks data and analytics provider IWSR (formerly International Wine and Spirits Record) lists Japan in the world’s top 10 no/low alcohol markets — forecast to grow another 5% by 2027. Japan’s best bartenders are adapting fast.
Shuzo Nagumo is the CEO of Spirits & Sharing, an alcohol-related services company which owns seven Tokyo bars.
“The nonalcoholic beverage market is larger than the alcoholic market, and further innovation in nonalcoholic drinks is expected to continue in the future,” Nagumo said.
Nagumo’s chief technical officer, Manabu Ito, has around 37 years of bar experience.
“When I first started working during the economic bubble era, Japan was full of hardworking people who stayed late and drank heavily to keep going. Younger people, in particular, drank a lot back then.”
Ito said younger people today seem to drink with a clearer purpose. They research bars and drinks online, then choose them based on their personal likes. Also, older people are drinking noticeably less, especially after the COVID-19 pandemic.
A surprising number of Japanese bartenders only drink small amounts of alcohol or none at all.
“Japanese DNA variations make it impossible for certain individuals to process alcohol,” said Nagumo.
A bar manager at a luxury hotel venue shared another reason: “I only drink alcohol once a week to preserve my palate.”
Hiroaki Takahashi is the bar manager of Japan’s first nonalcoholic bar, Tokyo’s Low-Non-Bar, which opened in 2020.
Referring to its founder, Eiji Miyazawa, Takahashi said: “He stopped drinking around 2018 due to health reasons. Nowadays, he sometimes drinks in small amounts because he loves bars.
“As for myself, I have been a bartender since the age of 20, but I rarely drank outside of studying in bars until I turned 30, as alcohol would negatively affect my health.”
Low-Non-Bar serves zero-, low-alcohol (up to 3%) and alcoholic drinks. Patrons can order alternating levels of alcohol — Takahashi calls this “liver sustainability.”
Takahashi adds premium ingredients like seasonal organic produce, truffle-infused honey, homemade syrups and aromatic waters to subtle-tasting, alcohol-free spirits — with complex, flavorsome results.
Originally, the whole menu was zero-alcohol. After COVID travel bans ended, liquor was added to meet foreigners’ requests. The current clientele is mostly in their 30s: about 40% male, 60% female, 60% teetotallers and 40% drinkers.
However, Takahashi thinks Japan remains behind bars overseas — like a "nonalcoholic isolation state” — because it bans nonalcoholic spirit imports due to regulations on additives.
In 2024, Low-Non-Bar released its own nonalcoholic gin, Ginnie. Without alcohol’s preservative and flavor extracting properties, it has a shorter shelf-life and requires twice the amount of botanicals compared to alcoholic gin.
Three alcohol-free Ginnie cordials with extracts like cypress, vanilla and dealcoholized sake are also available.
Bartender Hiroaki Oda also busts the myth that mocktails are just sugary, uninspired concoctions. At Oda’s Bar Ixey in Gion, there’s no menu as he customizes guests’ alcoholic or nonalcoholic beverages.
“The reason why I make nonalcoholic cocktails is because I want to be ready to pass on the culture of the bar, which I love, to the next generation.” In the past two years, he’s received many nonalcohol requests from young people, but also people in their 40s.
Bar Ixey features “drinkable perfumes” crafted with botanicals (many from Oda’s private herb garden) and an aroma extractor. The fragrances are 10 to 100 times more concentrated than a typical herbal tea.
Without ethanol’s viscosity, creating texture in alcohol-free drinks is challenging.
“It is important to compensate for a lack of body by adding concentrated aroma. Whether or not it has a concentrated aroma makes a huge difference,” Oda explained.
During the COVID lockdown, Oda closed his bar and experimented with distillations.
“Then the Japanese government banned the serving of alcohol after 8 p.m., so we did a nonalcohol bar. This was one of those grand social experiments that rarely happen, because without it, customers would never have had three nonalcoholic cocktails all in a row.”
Oda distilled about 140 different plants, and chose the best results to create Miatina, a 0%- alcohol spirit. Today, there are three Miatina varieties, with essences like cedar, mushroom and lavender.
Oda’s second venue, Ixey Non-Alcoholic Spirits Kyoto Distillery & Salon, opened in 2022 in Gojo.
“The next challenge is a hands-on distilling class. We plan to start at the beginning of the year. With alcohol, it is not possible for customers to take home their own alcohol made at the distillery, but with nonalcoholic drinks it is possible.”
Kenichi Tomita graduated from culinary school, entered the drinks world and opened his own bar in 2007. At Bar Nano Gould in Sapporo, he makes cocktails ranging from classics to his own wild inventions, exploring the concept “cocktails are liquid cuisine.”
“I teach at a cooking school. We are also developing the menus of restaurants. Cocktail pairing is very interesting and difficult. It's worth the challenge. We held collaboration events with various restaurants such as sushi, soba, French, Italian, Indian and so on,” Tomita said.
“It has become a matter of course not to drink alcohol when eating out,” Tomita observes.
“People who have been forced to drink alcohol up until now are happy,” he says. “Alcohol harassment is gone.”
Zero- and low-(3-5%) alcohol cocktails are adapted from his alcoholic recipes. Tomita’s creations use products from across Japan (especially Hokkaido) including vinegar, cacao, goat milk, soup stock, soybeans and deep ocean water.
You can also pick flavors like pumpkin and caramel, or azuki beans and blue cheese from a separate menu.
“Nonalcoholic gin is very beautiful and delicate. And it's expensive,” Tomita shared. One brand he uses is Nema, Japan’s first nonalcoholic gin.
Tomita’s boundless creativity spills over to a sister venue nearby. Bar Nano Femto is run by bartender Marie Mizuno and follows the same theme, but with different recipes.
Spirits & Sharing’s Nagumo also works closely with food. He said catering for luxury brand parties and food pairings at restaurants are driving mocktail demand. His company hosts mocktail seminars in-house and for external clients.
Amongst his Tokyo bars, Folklore sells the most mocktails. It also specializes in nihonshu (Japanese rice wine, or sake) with relatively low, 14-18% alcohol content and shochu (distilled Japanese spirit made from potato, rice or wheat).
Ito’s bar, Mixology Heritage, is classic style (with a whisky emphasis). Nonalcoholic choices are limited but its new menu — for the first time — features a code explaining each drink’s alcohol level.
Ito also thinks bartenders today are exercising more and cutting back on alcohol.
And himself? “I used to drink until morning in the past, but now I’ve shifted to having just a little drink after work. On my days off, I enjoy taking my time and savoring drinks when I have the opportunity to relax.”
Japan’s drinking habits have changed, but watching these professionals blend cutting-edge mixology with the precision and elegance of their classic training — you feel assured that the beauty of Japanese bar culture will evolve and survive.
More bars with no/low alcohol cocktails
Tokyo: Peter: The Bar, Tokyo Confidential, The Bar Sazerac
Yokohama: Cocktail Bar Nemanja
Osaka: Bar Nayuta, Kirip Truman, Green Spot, The Bar Elixir-k
Kobe: Mockteria
Nara: Lamp Bar
Nagoya: Bar Stair
Fukuoka: The Roam Bar
Matsuyama: Le Club
Source: https://japantoday.com/category/features/food/why-would-japanese-bartender-open-a-nonalcoholic-bar
III. Hundreds of izakaya going bust as prices rise and customers change (12/9/24)
Inflation and teetotaling are taking a toll on izakaya, Japanese pubs where food and drinks are served in an informal, sometimes rowdy, setting.
In the first 11 months of this year, 203 of these establishments went out of business. That’s more than the 189 that went under in the whole of 2020 when COVID-19 became a pandemic.
Izakaya are usually small, cozy places where the work is labor-intensive and relatively personal.
Limited opportunities exist for automation and economies of scale, so izakaya cannot easily achieve efficiencies needed when prices are rising and budgets are squeezed. It’s tough to mechanize the charms of such establishments.
In a separate survey, Teikoku Databank said that bankruptcies in general hit 746 in August, a decade-plus high for that month. The number of bankruptcies so far this year is the highest since 2015.
Small companies have been hit especially hard.
“This trend is likely to continue, with labor shortages and rising interest rates,” said Norihiro Yamaguchi, senior Japan economist at Oxford Economics.
Inflation in Japan has been elevated in recent years, hitting a four-decade-plus high in 2023. It remains above 2%.
The government has been working to bring an end to an era of deflation with liberal spending, while the Bank of Japan had kept rates at or near zero for years.
Pay has not been keeping up. Real wages declined for more than two years through June as price rises ate away at nominal pay increases. Households have been forced to cut back to make ends meet, and izakaya have suffered.
Teikoku Databank said that people have reduced their visits to these restaurants, while the operations are forced to pay more for food, drink and labor. Izakaya have also been hit with declining alcohol consumption and shifts in social behavior following the pandemic, it added.
The data company said that about 40% of izakaya were losing money in fiscal 2023, while some have decided to pivot into cafes or burger joints. Watami, an izakaya operator, said in October that it had acquired the Japan operations of Subway, as part of a diversification and growth push.
“The key to survive under an inflationary environment is to have a strong pricing power, as costs increase inevitably,” Yamaguchi said, calling it a “tough environment” for small restaurants operating in a highly competitive environment.
“For them, increasing costs, such as high labor costs, energy costs and material costs, hit their profit directly,” he said.
Teikoku Databank noted that pharmacies are also having a tough time. Bankruptcies through the first 11 months of this year totaled 34, and the debts of failed pharmacies is the most in more than a decade. It expects that 37 could be out of business by the end of the year.
Aging owners, high competition and the bankruptcies of medical institutions associated with pharmacies were blamed for the high number of bankruptcies.
“Restaurants are facing rises in material and labor costs, and bankruptcies are on the rise,” said Koichi Fujishiro, an economist at Dai-ichi Life Research Institute.
“However, next year is expected to see continued strong nominal wage growth, while inflation may ease, leading to higher real household incomes. This increase in income should benefit expenditures such as on food and daily necessities, which have become targets of cost-cutting amid inflation."
Source: https://www.japantimes.co.jp/business/2024/12/09/economy/izakaya-bankruptcies-teikoku/
IV. What do nondrinkers really feel about year-end parties? (12/16/24)
On December 7, just in time for the year-end party season, the Asahi Shimbun's weekly "be between" column ran the results of an online survey on drinking alcoholic beverages. In response to the question, "Do you partake of alcoholic beverages?" 70% of the 2,584 respondents gave positive replies.
Despite non-drinkers being in the 30% minority, 53% of all survey respondents nonetheless agreed that nominication -- a bilingual portmanteau combining nomi (to drink) and communication -- was an essential element of Japanese society.
Still, as Weekly Playboy (Dec 30) points out, non-drinkers in Japan are known to suffer from discrimination in the form of aruhara (alcohol harassment). And others, concerned over becoming marginalized, admit they join in rather than risk being regarded as a party pooper.
Perhaps because drinking tapered off sharply during the COVID pandemic, attitudes toward alcohol have nonetheless been shifting in non-drinkers' favor. Rather than simply conforming to the dominant drinking culture, more people now abstain from alcohol not only out of concern for their physical constitution, but also as a matter of personal preference. This has also seen the term sobaa kyuriasu (sober curious) -- derived from the eponymous title of a book published in 2019 by British journalist Ruby Warrington -- become increasingly popularized.
To obtain a grasp of non-drinkers' attitudes, Weekly Playboy posed a series of questions to 1,000 males and females in range of 20 to 69 years of age.
Over half the total (53.9%) responded that they lack much of a capacity for alcohol, with 27.7% admitting they cannot hold alcohol at all. Of the latter, a whopping 73% replied that they could not handle even the slightest amount. Only 13.4% of all subjects said they had a relatively strong tolerance for alcoholic beverages.
Among the non-drinkers a variety of reasons were given for their aversion to alcohol: 52.5% said it made them feel unpleasant, with some saying they simply disliked the taste of alcoholic beverages. A man in his 40s said he refrained due to residual effects of COVID-19. Several others claimed they were allergic to alcohol.
Overall, 45.5% of the non-drinkers said they didn't like the feeling of being inebriated; 29.5% said booze gave them headaches; 14% said drinking made them doze off; and 5% said drinking was physically painful.
Understandably, roughly three out of four of the non-drinkers said they disliked attending social events that included drinking. Another 18% said they were able to tolerate the activity, and 5% felt favorably disposed toward it. Only 3%, however, said they enjoyed such events.
Interestingly, when non-drinkers were asked to specify what they disliked most about drinking parties, the largest objection, stated by 50.68%, was that they felt they were obliged to pay more than their fair share in cases of warikan (splitting the tab), since soft drinks are typically priced cheaper than alcohol.
Others complained that they felt pressure on them to drink, said by 31.08%; that they had the experience of feeling coerced into drinking (18.92%); and because drinking soft drinks alone made them feel bored (16.22%).
The magazine invited four non-drinking survey participants, two males and two females aged between 30 and 49 years, to take part in a roundtable discussion.
"If you can't drink alcohol, people in your circle might not invite you to drinking parties out of a sense of consideration," one told the magazine. "But I want people to invite me without such a concern. When someone invites me, I'm still happy to go, even if I can't drink."
Another non-drinker reflected similar tolerance, saying "I also want people to drink as much as they want without worrying about anything. Drinking parties are a place for communication, and deep conversations can emerge from them. I don't think of it as just being a place merely to drink, so I'd still like to participate as much as possible."
Source: https://japantoday.com/category/features/kuchikomi/what-do-nondrinkers-really-feel-about-year-end-parties
V. Once taboo, more Japanese women are brewing sake (12/17/24)
Not long after dawn, Japanese sake brewer Mie Takahashi checks the temperature of the mixture fermenting at her family’s 150-year-old sake brewery, Koten, nestled in the foothills of the Japanese Alps.
She stands on an uneven narrow wooden platform over a massive tank containing more than 3,000 liters of a bubbling soup of steamed rice, water and a rice mold known as koji, and gives it a good mix with a long paddle.
“The morning hours are crucial in sake making,” said Takahashi, 43. Her brewery is in Nagano Prefecture, a region known for its sake making.
Takahashi is one of a small group of female toji, or master sake brewers. Only 33 female toji are registered in Japan’s Toji Guild Association out of more than a thousand breweries nationwide.
That’s more than several decades ago. Women were largely excluded from sake production until after World War II.
Sake making has a history of more than a thousand years, with strong roots in Japan's traditional Shinto religion.
But when the liquor began to be mass produced during the Edo period, from 1603 until 1868, an unspoken rule barred women from breweries.
The reasons behind the ban remain obscure. One theory is that women were considered impure because of menstruation and were therefore excluded from sacred spaces, said Yasuyuki Kishi, vice director of the Sakeology Center at Niigata University.
“Another theory is that as sake became mass produced, a lot of heavy labor and dangerous tasks were involved," he said. "So the job was seen as inappropriate for women.”
But the gradual breakdown of gender barriers, coupled with a shrinking workforce caused by Japan's fast-aging population, has created space for more women to work in sake production.
“It’s still mostly a male-dominated industry. But I think now people focus on whether someone has the passion to do it, regardless of gender,” Takahashi said.
She believes mechanization in the brewery is also helping to narrow the gender gap. At Koten, a crane lifts hundreds of kilograms of steamed rice in batches and places it onto a cooling conveyor, after which the rice is sucked through a hose and transported to a separate room dedicated to cultivating koji.
“In the past, all of this would have been done by hand,” Takahashi said. “With the help of machines, more tasks are accessible for women.”
Sake, or nihonshu, is made by fermenting steamed rice with koji mold, which converts starch into sugar. The ancient brewing technique was recognized under UNESCO’s Intangible Cultural Heritage earlier this month.
As a child, Takahashi was not allowed to enter her family-owned brewery. But when she turned 15, she was given a tour of the brewery for the first time and was captivated by the fermentation process.
“I saw it bubbling up. It was fascinating to learn that those bubbles were the work of microorganisms that you can’t even see,” said Takahashi, who couldn't drink alcohol at the time because she was underage. “It smelled really good. I thought it was amazing that this wonderful fragrant sake could be made from just rice and water. So I thought I’d like to try making it myself.”
She pursued a degree in fermentation science at the Tokyo University of Agriculture. After graduation, she decided to return home to become a master brewer. She trained for 10 years under the guidance of her predecessor, and at the age of 34 became a toji at her family brewery.
As the brewery enters the winter peak season, Takahashi oversees a team of seasonal workers and production ramps up. It’s labor-intensive work, hauling and turning large amounts of heavy steamed rice, and mixing thousands of liters (hundreds of gallons) of brew. The master brewer must have the knowledge and skill to carefully control optimal koji mold growth, which needs round-the-clock monitoring.
Despite the intensity, Takahashi manages to encourage camaraderie in the brewery, catching up with the team as they hand-mix koji rice side by side in a hot humid room.
“I was taught that the most important thing is to get along with your team,” Takahashi said. “A common saying is that if the atmosphere in the brewery is tense, the sake will turn out harsh, but if things are going well in the brewery, the sake will turn out smooth.”
The inclusion of women plays an important role in the survival of the Japanese sake industry, which has seen a steady decline since its peak in the 1970s.
Domestic alcoholic consumption has dropped, while many smaller breweries struggle to find new master brewers. According to the Japan Sake and Shochu Makers Association, today’s total production volume is about a quarter of what it was 50 years ago.
To remain competitive, Koten is among many Japanese breweries trying to find a wider market both domestically and abroad.
“Our main product has always been dry sake, which local people continue to drink regularly," said Takahashi's older brother, Isao Takahashi, who is in charge of the business side of the family operation. "We’re now exploring making higher value sake as well.”
He supports his sister's experiments –- every year she creates a limited-edition series, Mie Special, that's meant to branch out from their signature dry product.
“My sister would say she wants to try to make low alcohol content, or she wants to try new yeasts -– all kinds of new techniques are coming in through her,” he said. “I want my sister to make the sake she wants, and I want to do my best to sell it.”
Source: https://japantoday.com/category/national/once-taboo-more-japanese-women-are-brewing-sake
VI. Not paying any dating expenses at all' listed as domestic violence by Japanese gov't agency (12/17/24)
The Gender Equality Bureau is an agency within the Japanese government’s Cabinet Office. As you’d probably expect, one of the issues the bureau is concerned with is domestic violence, and as part of the public awareness materials on the organization’s official website asserts that the definition of “violence” is broader than just the physical variety.
“These are all violence” states a chart on the website which contains four categories. Examples for “psychological violence” include yelling, disrespecting, or ignoring a romantic partner. “Physical violence,” obviously, covers things like punching, hair-pulling, and throwing objects with the intent to harm. The section for “sexual violence” lists scenarios such as coerced intercourse, refusal to cooperate with birth control methods, and forcing a partner to view pornography. Finally, “economic violence” is defined as actions such as using a partner’s money without their permission, or borrowing money but refusing to pay it back.
However, one example of economic violence that the Gender Equality Bureau lists is raising eyebrows and questions online in Japan right now: “Not paying any dating expenses at all.”
While the chart itself doesn’t make any mention of gender, slightly farther down on the same page the Gender Equality Bureau cites statistics that “One in five women has been the victim [of domestic violence] from a romantic partner,” which could give one the impression that the chart is implying that men who don’t pay for dates are perpetrating domestic violence. On the other hand, recent Japanese Twitter reactions such as the ones below show that the chart could also be interpreted as saying that it’s domestic violence for a woman to have a guy she goes out with pay for everything.
“Wait, so does this mean that all woman who say ‘You’re the guy, so you should pay for everything?’ are domestic abusers?”
“There really are a lot of women committing acts of domestic violence then, aren’t there?”
“I know you don’t want to be thought of as a domestic abuser by the Cabinet Office, so please pay half the bill.”
“Does this mean that a girl saying ‘You’re the guy, so you’re supposed to pay for everything’ is the same as a guy saying ‘If you agreed to go on a date, that means you agreed to go to a hotel’?”
The chart itself has actually been on the agency’s website since March of 2018, but this is the second time this year for this particular Gender Equality Bureau example of domestic violence to cause a stir, following another uptick in attention back in the spring. At that time, a representative for the bureau spoke with media outlet J-Cast News to clarify the organization’s position, saying:
“Both men and women can be victims of this kind of violence. Someone not paying for a date doesn’t immediately qualify as domestic violence. Unilaterally forcing the other person to pay is what can be thought of as domestic violence. So depending on the relationship between the two people, it’s a case-by-case sort of situation.”
The representative added “If both sides are OK with it [one person not paying], it’s not domestic violence.” The representative also pointed out that the bureau’s mage of economic violence does include such retroactive financial coercion as “If we’re going to break up, then you have to pay me back for the expensive sushi restaurant I treated you at!”
So in the end, cheapness alone isn’t enough to make someone an abuser in the eyes of the Gender Equality Bureau, and the litmus test isn’t so much an unwillingness to open one’s own wallet as it is trying to force someone else to open theirs. With the chart’s current phrasing having already caused some confusion multiple times, though, it seems like a rewrite of that part might be in order.
Source: https://japantoday.com/category/national/'not-paying-any-dating-expenses-at-all'-listed-as-domestic-violence-by-japanese-government-agency
Monster Post on Recent Drinking Related Subjects in Japan
Contents:
I. Japan sake-brewing joins UNESCO intangible heritage list (12/5/24)
II. Why would a Japanese bartender open a nonalcoholic bar?(12/6/24)
III. Hundreds of izakaya going bust as prices rise and customers change (12/9/24)
IV. What do nondrinkers really feel about year-end parties? (12/16/24)
V. Once taboo, more Japanese women are brewing sake (12/17/24)
VI. Not paying any dating expenses at all' listed as domestic violence by Japanese gov't agency (12/17/24)
I. Japan sake-brewing joins UNESCO intangible heritage list (12/5/24)
The smooth rice wine that plays a crucial role in Japan's culinary traditions was enshrined on Wednesday by UNESCO on its list of the “intangible cultural heritage of humanity."
At a meeting in Luque, Paraguay, members of UNESCO’s committee for safeguarding humanity's cultural heritage voted to recognize 45 cultural practices and products around the world, including Brazilian white cheese, Caribbean cassava bread and Palestinian olive oil soap.
Unlike UNESCO’s World Heritage List, which includes sites considered important to humanity like the Pyramids of Giza in Egypt, the Intangible Cultural Heritage designation names products and practices of different cultures that are deserving of recognition.
A Japanese delegation welcomed the announcement in Luque.
“Sake is considered a divine gift and is essential for social and cultural events in Japan,” Takehiro Kano, the Japanese ambassador to UNESCO, told The Associated Press.
The basic ingredients of sake are few: rice, water, yeast and koji, a rice mold, which breaks down the starches into fermentable sugars like malting does in beer production. The whole two-monthlong process of steaming, stirring, fermenting and pressing can be grueling.
The rice — which wields tremendous marketing power as part of Japan's broader cultural identity — is key to the alcoholic brew.
For a product to be categorized Japanese sake, the rice must be Japanese.
The UNESCO recognition, the delegation said, captured more than the craft knowledge of making high-quality sake. It also honored a tradition dating back some 1,000 years — sake makes a cameo in Japan’s famous 11th century novel, “The Tale of Genji,” as the drink of choice in the refined Heian court.
Now, officials hope to restore sake's image as Japan's premier alcoholic drink even as the younger drinkers in the country switch to imported wine or domestic beer and whiskey.
“It means a lot to Japan and to the Japanese,” Kano said of the UNESCO designation. "This will help to renew interest in traditional sake elaboration.”
Also, Japanese breweries have expressed hope that the listing could give a little lift to the country's export economy as the popularity of sake booms around the world and in the United States amid heightened interest in Japanese cuisine.
Sake exports, mostly to the U.S. and China, now rake in over $265 million a year, according to the Japan Sake and Shochu Makers Association, a trade group.
Japan's delegation appeared ready to celebrate on Wednesday — in classic Japanese style.
After the announcement, Kano raised a cypress box full of sake to toast the alcoholic brew and cultural rite.
Source: https://japantoday.com/category/national/japan-sake-brewing-added-to-unesco-intangible-heritage
II. Why would a Japanese bartender open a nonalcoholic bar?(12/6/24)
Shuzo Nagumo is the CEO of Spirits & Sharing, an alcohol-related services company which owns seven Tokyo bars.
“The nonalcoholic beverage market is larger than the alcoholic market, and further innovation in nonalcoholic drinks is expected to continue in the future,” Nagumo said.
Nagumo’s chief technical officer, Manabu Ito, has around 37 years of bar experience.
“When I first started working during the economic bubble era, Japan was full of hardworking people who stayed late and drank heavily to keep going. Younger people, in particular, drank a lot back then.”
Ito said younger people today seem to drink with a clearer purpose. They research bars and drinks online, then choose them based on their personal likes. Also, older people are drinking noticeably less, especially after the COVID-19 pandemic.
“Japanese DNA variations make it impossible for certain individuals to process alcohol,” said Nagumo.
A bar manager at a luxury hotel venue shared another reason: “I only drink alcohol once a week to preserve my palate.”
Hiroaki Takahashi is the bar manager of Japan’s first nonalcoholic bar, Tokyo’s Low-Non-Bar, which opened in 2020.
Referring to its founder, Eiji Miyazawa, Takahashi said: “He stopped drinking around 2018 due to health reasons. Nowadays, he sometimes drinks in small amounts because he loves bars.
“As for myself, I have been a bartender since the age of 20, but I rarely drank outside of studying in bars until I turned 30, as alcohol would negatively affect my health.”
Takahashi adds premium ingredients like seasonal organic produce, truffle-infused honey, homemade syrups and aromatic waters to subtle-tasting, alcohol-free spirits — with complex, flavorsome results.
Originally, the whole menu was zero-alcohol. After COVID travel bans ended, liquor was added to meet foreigners’ requests. The current clientele is mostly in their 30s: about 40% male, 60% female, 60% teetotallers and 40% drinkers.
However, Takahashi thinks Japan remains behind bars overseas — like a "nonalcoholic isolation state” — because it bans nonalcoholic spirit imports due to regulations on additives.
In 2024, Low-Non-Bar released its own nonalcoholic gin, Ginnie. Without alcohol’s preservative and flavor extracting properties, it has a shorter shelf-life and requires twice the amount of botanicals compared to alcoholic gin.
Three alcohol-free Ginnie cordials with extracts like cypress, vanilla and dealcoholized sake are also available.
“The reason why I make nonalcoholic cocktails is because I want to be ready to pass on the culture of the bar, which I love, to the next generation.” In the past two years, he’s received many nonalcohol requests from young people, but also people in their 40s.
Bar Ixey features “drinkable perfumes” crafted with botanicals (many from Oda’s private herb garden) and an aroma extractor. The fragrances are 10 to 100 times more concentrated than a typical herbal tea.
Without ethanol’s viscosity, creating texture in alcohol-free drinks is challenging.
“It is important to compensate for a lack of body by adding concentrated aroma. Whether or not it has a concentrated aroma makes a huge difference,” Oda explained.
“Then the Japanese government banned the serving of alcohol after 8 p.m., so we did a nonalcohol bar. This was one of those grand social experiments that rarely happen, because without it, customers would never have had three nonalcoholic cocktails all in a row.”
Oda distilled about 140 different plants, and chose the best results to create Miatina, a 0%- alcohol spirit. Today, there are three Miatina varieties, with essences like cedar, mushroom and lavender.
Oda’s second venue, Ixey Non-Alcoholic Spirits Kyoto Distillery & Salon, opened in 2022 in Gojo.
“The next challenge is a hands-on distilling class. We plan to start at the beginning of the year. With alcohol, it is not possible for customers to take home their own alcohol made at the distillery, but with nonalcoholic drinks it is possible.”
“I teach at a cooking school. We are also developing the menus of restaurants. Cocktail pairing is very interesting and difficult. It's worth the challenge. We held collaboration events with various restaurants such as sushi, soba, French, Italian, Indian and so on,” Tomita said.
“It has become a matter of course not to drink alcohol when eating out,” Tomita observes.
“People who have been forced to drink alcohol up until now are happy,” he says. “Alcohol harassment is gone.”
You can also pick flavors like pumpkin and caramel, or azuki beans and blue cheese from a separate menu.
“Nonalcoholic gin is very beautiful and delicate. And it's expensive,” Tomita shared. One brand he uses is Nema, Japan’s first nonalcoholic gin.
Tomita’s boundless creativity spills over to a sister venue nearby. Bar Nano Femto is run by bartender Marie Mizuno and follows the same theme, but with different recipes.
Amongst his Tokyo bars, Folklore sells the most mocktails. It also specializes in nihonshu (Japanese rice wine, or sake) with relatively low, 14-18% alcohol content and shochu (distilled Japanese spirit made from potato, rice or wheat).
Ito’s bar, Mixology Heritage, is classic style (with a whisky emphasis). Nonalcoholic choices are limited but its new menu — for the first time — features a code explaining each drink’s alcohol level.
Ito also thinks bartenders today are exercising more and cutting back on alcohol.
And himself? “I used to drink until morning in the past, but now I’ve shifted to having just a little drink after work. On my days off, I enjoy taking my time and savoring drinks when I have the opportunity to relax.”
Japan’s drinking habits have changed, but watching these professionals blend cutting-edge mixology with the precision and elegance of their classic training — you feel assured that the beauty of Japanese bar culture will evolve and survive.
More bars with no/low alcohol cocktails
Tokyo: Peter: The Bar, Tokyo Confidential, The Bar Sazerac
Yokohama: Cocktail Bar Nemanja
Osaka: Bar Nayuta, Kirip Truman, Green Spot, The Bar Elixir-k
Kobe: Mockteria
Nara: Lamp Bar
Nagoya: Bar Stair
Fukuoka: The Roam Bar
Matsuyama: Le Club
Source: https://japantoday.com/category/features/food/why-would-japanese-bartender-open-a-nonalcoholic-bar
III. Hundreds of izakaya going bust as prices rise and customers change (12/9/24)
Izakaya are usually small, cozy places where the work is labor-intensive and relatively personal.
Limited opportunities exist for automation and economies of scale, so izakaya cannot easily achieve efficiencies needed when prices are rising and budgets are squeezed. It’s tough to mechanize the charms of such establishments.
In a separate survey, Teikoku Databank said that bankruptcies in general hit 746 in August, a decade-plus high for that month. The number of bankruptcies so far this year is the highest since 2015.
Small companies have been hit especially hard.
“This trend is likely to continue, with labor shortages and rising interest rates,” said Norihiro Yamaguchi, senior Japan economist at Oxford Economics.
Inflation in Japan has been elevated in recent years, hitting a four-decade-plus high in 2023. It remains above 2%.
The government has been working to bring an end to an era of deflation with liberal spending, while the Bank of Japan had kept rates at or near zero for years.
Pay has not been keeping up. Real wages declined for more than two years through June as price rises ate away at nominal pay increases. Households have been forced to cut back to make ends meet, and izakaya have suffered.
Teikoku Databank said that people have reduced their visits to these restaurants, while the operations are forced to pay more for food, drink and labor. Izakaya have also been hit with declining alcohol consumption and shifts in social behavior following the pandemic, it added.
The data company said that about 40% of izakaya were losing money in fiscal 2023, while some have decided to pivot into cafes or burger joints. Watami, an izakaya operator, said in October that it had acquired the Japan operations of Subway, as part of a diversification and growth push.
“The key to survive under an inflationary environment is to have a strong pricing power, as costs increase inevitably,” Yamaguchi said, calling it a “tough environment” for small restaurants operating in a highly competitive environment.
“For them, increasing costs, such as high labor costs, energy costs and material costs, hit their profit directly,” he said.
Teikoku Databank noted that pharmacies are also having a tough time. Bankruptcies through the first 11 months of this year totaled 34, and the debts of failed pharmacies is the most in more than a decade. It expects that 37 could be out of business by the end of the year.
Aging owners, high competition and the bankruptcies of medical institutions associated with pharmacies were blamed for the high number of bankruptcies.
“Restaurants are facing rises in material and labor costs, and bankruptcies are on the rise,” said Koichi Fujishiro, an economist at Dai-ichi Life Research Institute.
“However, next year is expected to see continued strong nominal wage growth, while inflation may ease, leading to higher real household incomes. This increase in income should benefit expenditures such as on food and daily necessities, which have become targets of cost-cutting amid inflation."
Source: https://www.japantimes.co.jp/business/2024/12/09/economy/izakaya-bankruptcies-teikoku/
IV. What do nondrinkers really feel about year-end parties? (12/16/24)
Despite non-drinkers being in the 30% minority, 53% of all survey respondents nonetheless agreed that nominication -- a bilingual portmanteau combining nomi (to drink) and communication -- was an essential element of Japanese society.
Still, as Weekly Playboy (Dec 30) points out, non-drinkers in Japan are known to suffer from discrimination in the form of aruhara (alcohol harassment). And others, concerned over becoming marginalized, admit they join in rather than risk being regarded as a party pooper.
Perhaps because drinking tapered off sharply during the COVID pandemic, attitudes toward alcohol have nonetheless been shifting in non-drinkers' favor. Rather than simply conforming to the dominant drinking culture, more people now abstain from alcohol not only out of concern for their physical constitution, but also as a matter of personal preference. This has also seen the term sobaa kyuriasu (sober curious) -- derived from the eponymous title of a book published in 2019 by British journalist Ruby Warrington -- become increasingly popularized.
To obtain a grasp of non-drinkers' attitudes, Weekly Playboy posed a series of questions to 1,000 males and females in range of 20 to 69 years of age.
Over half the total (53.9%) responded that they lack much of a capacity for alcohol, with 27.7% admitting they cannot hold alcohol at all. Of the latter, a whopping 73% replied that they could not handle even the slightest amount. Only 13.4% of all subjects said they had a relatively strong tolerance for alcoholic beverages.
Among the non-drinkers a variety of reasons were given for their aversion to alcohol: 52.5% said it made them feel unpleasant, with some saying they simply disliked the taste of alcoholic beverages. A man in his 40s said he refrained due to residual effects of COVID-19. Several others claimed they were allergic to alcohol.
Overall, 45.5% of the non-drinkers said they didn't like the feeling of being inebriated; 29.5% said booze gave them headaches; 14% said drinking made them doze off; and 5% said drinking was physically painful.
Understandably, roughly three out of four of the non-drinkers said they disliked attending social events that included drinking. Another 18% said they were able to tolerate the activity, and 5% felt favorably disposed toward it. Only 3%, however, said they enjoyed such events.
Interestingly, when non-drinkers were asked to specify what they disliked most about drinking parties, the largest objection, stated by 50.68%, was that they felt they were obliged to pay more than their fair share in cases of warikan (splitting the tab), since soft drinks are typically priced cheaper than alcohol.
Others complained that they felt pressure on them to drink, said by 31.08%; that they had the experience of feeling coerced into drinking (18.92%); and because drinking soft drinks alone made them feel bored (16.22%).
The magazine invited four non-drinking survey participants, two males and two females aged between 30 and 49 years, to take part in a roundtable discussion.
"If you can't drink alcohol, people in your circle might not invite you to drinking parties out of a sense of consideration," one told the magazine. "But I want people to invite me without such a concern. When someone invites me, I'm still happy to go, even if I can't drink."
Another non-drinker reflected similar tolerance, saying "I also want people to drink as much as they want without worrying about anything. Drinking parties are a place for communication, and deep conversations can emerge from them. I don't think of it as just being a place merely to drink, so I'd still like to participate as much as possible."
Source: https://japantoday.com/category/features/kuchikomi/what-do-nondrinkers-really-feel-about-year-end-parties
V. Once taboo, more Japanese women are brewing sake (12/17/24)
She stands on an uneven narrow wooden platform over a massive tank containing more than 3,000 liters of a bubbling soup of steamed rice, water and a rice mold known as koji, and gives it a good mix with a long paddle.
“The morning hours are crucial in sake making,” said Takahashi, 43. Her brewery is in Nagano Prefecture, a region known for its sake making.
Takahashi is one of a small group of female toji, or master sake brewers. Only 33 female toji are registered in Japan’s Toji Guild Association out of more than a thousand breweries nationwide.
That’s more than several decades ago. Women were largely excluded from sake production until after World War II.
Sake making has a history of more than a thousand years, with strong roots in Japan's traditional Shinto religion.
But when the liquor began to be mass produced during the Edo period, from 1603 until 1868, an unspoken rule barred women from breweries.
The reasons behind the ban remain obscure. One theory is that women were considered impure because of menstruation and were therefore excluded from sacred spaces, said Yasuyuki Kishi, vice director of the Sakeology Center at Niigata University.
“Another theory is that as sake became mass produced, a lot of heavy labor and dangerous tasks were involved," he said. "So the job was seen as inappropriate for women.”
But the gradual breakdown of gender barriers, coupled with a shrinking workforce caused by Japan's fast-aging population, has created space for more women to work in sake production.
“It’s still mostly a male-dominated industry. But I think now people focus on whether someone has the passion to do it, regardless of gender,” Takahashi said.
She believes mechanization in the brewery is also helping to narrow the gender gap. At Koten, a crane lifts hundreds of kilograms of steamed rice in batches and places it onto a cooling conveyor, after which the rice is sucked through a hose and transported to a separate room dedicated to cultivating koji.
“In the past, all of this would have been done by hand,” Takahashi said. “With the help of machines, more tasks are accessible for women.”
Sake, or nihonshu, is made by fermenting steamed rice with koji mold, which converts starch into sugar. The ancient brewing technique was recognized under UNESCO’s Intangible Cultural Heritage earlier this month.
As a child, Takahashi was not allowed to enter her family-owned brewery. But when she turned 15, she was given a tour of the brewery for the first time and was captivated by the fermentation process.
“I saw it bubbling up. It was fascinating to learn that those bubbles were the work of microorganisms that you can’t even see,” said Takahashi, who couldn't drink alcohol at the time because she was underage. “It smelled really good. I thought it was amazing that this wonderful fragrant sake could be made from just rice and water. So I thought I’d like to try making it myself.”
She pursued a degree in fermentation science at the Tokyo University of Agriculture. After graduation, she decided to return home to become a master brewer. She trained for 10 years under the guidance of her predecessor, and at the age of 34 became a toji at her family brewery.
As the brewery enters the winter peak season, Takahashi oversees a team of seasonal workers and production ramps up. It’s labor-intensive work, hauling and turning large amounts of heavy steamed rice, and mixing thousands of liters (hundreds of gallons) of brew. The master brewer must have the knowledge and skill to carefully control optimal koji mold growth, which needs round-the-clock monitoring.
Despite the intensity, Takahashi manages to encourage camaraderie in the brewery, catching up with the team as they hand-mix koji rice side by side in a hot humid room.
“I was taught that the most important thing is to get along with your team,” Takahashi said. “A common saying is that if the atmosphere in the brewery is tense, the sake will turn out harsh, but if things are going well in the brewery, the sake will turn out smooth.”
The inclusion of women plays an important role in the survival of the Japanese sake industry, which has seen a steady decline since its peak in the 1970s.
Domestic alcoholic consumption has dropped, while many smaller breweries struggle to find new master brewers. According to the Japan Sake and Shochu Makers Association, today’s total production volume is about a quarter of what it was 50 years ago.
To remain competitive, Koten is among many Japanese breweries trying to find a wider market both domestically and abroad.
“Our main product has always been dry sake, which local people continue to drink regularly," said Takahashi's older brother, Isao Takahashi, who is in charge of the business side of the family operation. "We’re now exploring making higher value sake as well.”
He supports his sister's experiments –- every year she creates a limited-edition series, Mie Special, that's meant to branch out from their signature dry product.
“My sister would say she wants to try to make low alcohol content, or she wants to try new yeasts -– all kinds of new techniques are coming in through her,” he said. “I want my sister to make the sake she wants, and I want to do my best to sell it.”
Source: https://japantoday.com/category/national/once-taboo-more-japanese-women-are-brewing-sake
VI. Not paying any dating expenses at all' listed as domestic violence by Japanese gov't agency (12/17/24)
“These are all violence” states a chart on the website which contains four categories. Examples for “psychological violence” include yelling, disrespecting, or ignoring a romantic partner. “Physical violence,” obviously, covers things like punching, hair-pulling, and throwing objects with the intent to harm. The section for “sexual violence” lists scenarios such as coerced intercourse, refusal to cooperate with birth control methods, and forcing a partner to view pornography. Finally, “economic violence” is defined as actions such as using a partner’s money without their permission, or borrowing money but refusing to pay it back.
However, one example of economic violence that the Gender Equality Bureau lists is raising eyebrows and questions online in Japan right now: “Not paying any dating expenses at all.”
While the chart itself doesn’t make any mention of gender, slightly farther down on the same page the Gender Equality Bureau cites statistics that “One in five women has been the victim [of domestic violence] from a romantic partner,” which could give one the impression that the chart is implying that men who don’t pay for dates are perpetrating domestic violence. On the other hand, recent Japanese Twitter reactions such as the ones below show that the chart could also be interpreted as saying that it’s domestic violence for a woman to have a guy she goes out with pay for everything.
“Wait, so does this mean that all woman who say ‘You’re the guy, so you should pay for everything?’ are domestic abusers?”
“There really are a lot of women committing acts of domestic violence then, aren’t there?”
“I know you don’t want to be thought of as a domestic abuser by the Cabinet Office, so please pay half the bill.”
“Does this mean that a girl saying ‘You’re the guy, so you’re supposed to pay for everything’ is the same as a guy saying ‘If you agreed to go on a date, that means you agreed to go to a hotel’?”
The chart itself has actually been on the agency’s website since March of 2018, but this is the second time this year for this particular Gender Equality Bureau example of domestic violence to cause a stir, following another uptick in attention back in the spring. At that time, a representative for the bureau spoke with media outlet J-Cast News to clarify the organization’s position, saying:
“Both men and women can be victims of this kind of violence. Someone not paying for a date doesn’t immediately qualify as domestic violence. Unilaterally forcing the other person to pay is what can be thought of as domestic violence. So depending on the relationship between the two people, it’s a case-by-case sort of situation.”
The representative added “If both sides are OK with it [one person not paying], it’s not domestic violence.” The representative also pointed out that the bureau’s mage of economic violence does include such retroactive financial coercion as “If we’re going to break up, then you have to pay me back for the expensive sushi restaurant I treated you at!”
So in the end, cheapness alone isn’t enough to make someone an abuser in the eyes of the Gender Equality Bureau, and the litmus test isn’t so much an unwillingness to open one’s own wallet as it is trying to force someone else to open theirs. With the chart’s current phrasing having already caused some confusion multiple times, though, it seems like a rewrite of that part might be in order.
Source: https://japantoday.com/category/national/'not-paying-any-dating-expenses-at-all'-listed-as-domestic-violence-by-japanese-government-agency
Monday, December 16, 2024
Jalan Jalan (106): Cold and Cloudy, Park and Destruction -OR- Frigid and Fluffy, Public Space and Deconstruction
(Title modified 12/21/24. I don't know why...)
Sunday, December 15, 2024
Thursday, December 5, 2024
Announcement:「ONLINE SYMPOSIUM: REPHOTOGRAPHY × TOHOKU’S RECOVERING COAST, December 14, 2024 」
Produced by members of the rephoto lab at University of Tsukuba. The symposium and accompanying exhibition are funded by a Graphic Culture Research Grant from the DNP Foundation for Cultural Promotion.
Rephotography is the collective name for photographic practices that involve identifying locations in previously made images and photographing them again. Following the 2011 Great East Japan Earthquake and Tsunami, various rephotography projects appeared along the east coast of Tohoku. Many such projects have immediate value for illustrating recovery and reconstruction, but recent scholarship suggests they can go beyond 'before and after' comparisons to examine also how that change is understood.
The objective of this symposium is to discuss the value and future of rephotography along Tohoku’s recovering coast. As rephotography of the recovering coast of Tohoku extends into a fourteenth year, now is a good time to discuss change in representations of change, and to consider how such changes can continue to be represented as visual culture navigates a post-AI future. For the symposium, we will hear from photographers and institutions who have chosen to revisit a relationship with the recovering region.
PROGRAM (Japanese–English consecutive translation is provided)
16:00-16:05 Opening remarksーWILLIAM ANDREWS (Sofia University)
16:05-16:20 Introduction to rephotography一GARY McLEOD (University of Tsukuba)
16:20-16:40 Speaker 1一MAYUMI SUZUKI
16:40-17:00 Speaker 2一SHIN TOMINAGA
17:05-17:25 Speaker 3一SENDAI MEDIATHEQUE
17:25-17:45 Speaker 4一PENGKUEI BEN HUANG
17:45-18:05 Speaker 5一TOSHIYA WATANABE
18:15-18:55 Moderated discussion一all speakers
18:55-19:00 Closing remarksーGARY McLEOD (University of Tsukuba)
***All times are Japan Standard Time***
Held via Zoom. All are welcome. Participation is free, advance registration required.
Registration deadline is Thursday, December 12th.
To register, click here: https://forms.office.com/r/Er4Nu1f3jp
An exhibition related to the symposium is being held at University of Tsukuba until December 26th. A digital twin of the exhibition can be visited here: https://matterport.com/discover/space/ufxNpg62oGA
Wednesday, December 4, 2024
Scary Christmas
I call this series "Costco Consumerism, Christmas Capitalism and the Making of a New Japanese Univer(sal)ity Tradition..." (December 2024).
Bonus shot: "Deflated Santa and Frosty"
Scary Halloween (2024): https://visualanthropologyofjapan.blogspot.com/2024/10/scary-halloween.html
Celebrating the Holidays with a Row of Giant Dead Christmas Trees (at a certain university...) (2020): https://visualanthropologyofjapan.blogspot.com/2020/12/celebrating-holidays-with-row-of-giant.html
To be fair, there are other decorations at a certain university... (2020): https://visualanthropologyofjapan.blogspot.com/2020/12/to-be-fair-there-are-other-decorations.html
Friday, November 15, 2024
Japan Economic Foundation's Japan SPOTLIGHT (#158) Special Interview: "Intersection Between Language & Culture: Probing Japan’s Deaf/deaf Society"
Link: https://www.jef.or.jp/jspotlight/backnumber/detail/258/
Click the link above and scroll down to:
Link: https://www.jef.or.jp/en/
VAoJ is grateful for the JEF interview and the opportunity to bring the Japanese Deaf research to a broader audience.
Wednesday, October 30, 2024
Announcement of Conference Presentation:「Intersectionality in Japanese Deaf Communities」
「Intersectionality in Japanese Deaf Communities」
Abstract: Are Deaf people in Japan simply disabled, or a linguistic minority, or both? Various physical conditions and individual situations combine to determine access to social welfare, attitudes, identities and language use. Not all deaf people are the same. And Japan itself is not as homogeneous as many believe it to be. An estimated 5 percent of Japan’s population belong to minority groups that suffer from societal oppression. What happens when a deaf individual belongs to one or more of these other minorities? Intersectionality, which emerged from Black feminists in the United States, is a framework that acknowledges and explores concurrent identities and ensuing injustices: racism, sexism, gender discrimination, ableism and other inequalities. This presentation, based upon academic theories, the efforts of activists and my own years of fieldwork, will describe diversity and intersectionality found in deaf communities in Japan, specifically Deaf/LGBTQ+, Deaf/Zainichi Korean and Deaf/Blind groups.
SouthWest Conference on Asian Studies
Stephen F. Austin State University
Panel V 4.5: “Community and Memory in East Asia”
Saturday, November 2, 8:45 am – 10:00 am (10:45 pm – 12:00 am in Osaka, Japan)
Conference program here: https://www.swcas.net/
Monday, October 28, 2024
Scary Halloween
Friday, August 16, 2024
Friday, August 2, 2024
Did you see me yesterday at the Koshien Stadium 100th Anniversary Celebration?
Wednesday, July 10, 2024
A call out to my friends and colleagues, visual and multimodal anthropologists, cultural anthropologists, photographers & sake and tachinomiya lovers in Tokyo and the surrounding area; VAoJ is making a rare appearance in Tokyo for a special lecture:「The Intersections of the Sensory, Multimodal and Ba: The Tachinomi Project」Please share and spread the word...
July 17, 2024, 18:00-19:30
Room 402, 4F, Building 2
Sophia University, Tokyo
Abstract:「The Tachinomi Project」is a visual ethnography based upon the con- vergence of social science research and contemporary art. The project began with long-term participant-observation and a photographic exhibition featuring a 40-year-old tachinomiya (standing drink bar) in Osaka called Tenbun. The study sought to explore photography in public spaces, privacy and image ethics while showcasing a “grimy” (Farrer 2019) and stimulating atmosphere with colorful characters including the shop owner, employees and regular customers. The interactions with Tenbun collaborators and gallery audience at the exhibition became the first of several post-fieldwork encounters, leading to the re-positioning of the research into wider social and academic contexts during and after the COVID 19 pandemic. This present account utilizes reflexivity, autoethnographic vignettes (Stevens 2013) and photography to explore the intersections of the sensory (Pink 2013 [2009], multimodal (Collins et al. 2017), and ba (Kajimaru et al. 2021) of Tenbun and other eating and drinking establishments.
Click here for some background on the project.
Yoroshiku onegai shimasu.
Sunday, July 7, 2024
Standing Drink Bar「Tenbun」Old Boys Reunion 立ち呑みの居酒屋「天文」O.B. 会
We had just finished an hour-and-a-half of “all you can eat/all you can drink” at a traditional izakaya banquet. This kind of gluttonous binging and imbibing pushes participants, especially those on a pensioner’s budget with little left over after pachinko and horse race betting activities, to extremes, to make sure they get their money’s worth. Since the food turned out to be only standard fare, we concentrated on the drinking: beer, sake (nihonshu) and sweet potato distilled liquor (imojōchū; usually 25-35% alcohol).
Imojōchū has a strong taste and pungent smell, even when mixed with ice and water. For me, drinking it results in a contemplative body buzz; but when combined with beer and sake, the odoriferous contemplation turns into a gregarious stupidity. Nonetheless, this can be fun with the right people at the right time.
The Tenbun O.B. reunion was such a righteous group and occasion.
To be continued…
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